Differences INSIDE THE Romantic And Enlightenment Eras British Literature Essay

The writers of the Charming period were known to be the contrary of the Enlightenment time. The people of the Enlightenment age were more worried about reason and the science behind everything. Whereas the romantics were more interested with the emotions and emotions of individuals, and what induced our response. Like characteristics and our senses. To them it was more important to specify characteristics in poetic ways. How it damaged them emotionally than trying to do so mathematically. That is why that they had an over-all exaltation of feeling over reason and sense over intellect. In reading I found some examples of this in all of them. However the ones I am going to be looking at are Blake's "The Chimney Sweep" from Songs of Innocence and Irving's "The Star of Sleepy Hollow".

In Blake's poem "The Chimney Sweep" we live told a tale of a child, we aren't advised how old. This child complies with another more radiant child Tom Dacre, probably six or seven seeing as that was the age they were sold at and he was new to the job. Tom has a dream of sweepers locked in coffins and an Angel came to set them free. Then he advised Tom "if he'd be considered a good boy, /He'd have God for his father & never want joy". Then the next day filled up with warmth he went out to do his job with a laugh. With the folks of the Enlightenment period a whole lot their experiences were about finding reason behind what's going on. In Blake's poem the kid is absolutely just looking for desire. He doesn't appear to care and attention why he was sold or why he must sweep chimneys, all he needs is to learn is if he's going to be alright. The fantasy provides him that wish that someday he won't have to sweep chimneys. Blake had written the Songs of Innocence from the point of view of a child, because children will be the perfect exemplory case of innocence. And because I believe children respond to things predicated on feelings more than reason. This is exactly what the romantics were trying do in all their stories and poems. They were trying to create more about the internal workings of a person. Why is us cry, laugh, smile, irritated, and damage. Then try to use those feelings to get us to see what they want to tell us. The Chimney Sweeper from Tunes of Innocence is just the bottom for what Blake is trying to say. Within the Music of Experience it's seen that what he is trying to tell us is that modern culture is unaware of the cruelty it does to the kids these are suppose to be guarding. With Irving's The Legend of Sleepy Hollow he is tell a tale of how humans can get overly enthusiastic with superstitions. He instructs us right from the beginning the storyplot of how Sleepy Hollow came to be and all the superstitions that surround it. "Some say that the place was bewitched by a higher German doctor, through the early days of the negotiation; others, that an old Indian main, the prophet or wizard of his tribe, performed his powwows there prior to the country was learned by Master Hendrick Hudson. They receive to all types of marvelous beliefs; are subject to trances and visions, and sometimes see strange places, and hear music and voices in the air. The complete neighborhood abounds with local stories, haunted locations, and twilight superstitions. " Then tells us of the "dominant heart" the Headless Horseman. The truth is people liked to be frightened out of their skin back then (and today too). It really is seen in just how he explains the arena at the get together were someone is inform a tale of how they just almost got from the headless horseman. "The tale was advised of old Brouwer. . how he met the Horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over bush and brake, over hill and swamp, until they come to the bridge; when the Horseman abruptly turned into a skeleton, threw old Brouwer in to the brook, and sprang away on the tree-tops with a clap of thunder. " The romantics just cherished these sorts of stories, since it was all about how exactly it made you are feeling. And although Ichabod is an informed man, he was person who thought in witchcraft and treasured the ghost reports as much as others. The folks of the Enlightenment would have said that Ichabod was an idiot to let his fears and emotions get in the way of reason. But the romantics prided thoughts far more than reason. Which can be what I believe Irving was hoping to state if this report. Not merely through the ghost experiences but in just how he defined the panorama. "It stands on the knoll, surrounded by locust, trees and lofty elms, from among which its respectable, whitewashed walls sparkle modestly forth, like Religious purity beaming through the tones of old age. A light slope descends from it to a sterling silver sheet of normal water, bordered by high trees, between which, peeps may be caught at the blue hills of the Hudson. To look after its grass-grown yard, where in fact the sunbeams seem to rest so quietly, you might feel that there at least the inactive might rest in tranquility. On one area of the church extends a wide woody dell, along which raves a large brook among busted rocks and trunks of dropped trees. More than a deep black part of the stream, not definately not the cathedral, was formerly tossed a real wood bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees and shrubs, which cast a gloom about it, even in the daytime; but occasioned a fearful darkness at night. " The romantics took far more information in talking about the surroundings than the Enlightenments does, since it helped give a "feeling" of the feelings of the story. How they explained it would tell you if the landscape was designed to be terrifying, happy, miserable, or even upset. And the way the character observed it informed you what spirits these were in.

Over all it is shown that romantics considered thoughts and the senses over reason and intelligence. To them books was as much of talent as a painting or sculpture, because each individual who looks at it gets different things out of it. One individual may consider it as a happy story while someone else perceives it as a tragedy.

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