Looking At The Destiny Of Romeo And Juliet British Literature Essay

Romeo pronounces these words immediately after having mortally wounded Tybalt, guilty of experiencing just wiped out Romeo's friend Mercutio. In a fit of rage, Romeo will take his sword and problems Tybalt ferociously, eradicating him. This is the climax of the play, that changes inevitably the destiny of both 'star-crossed enthusiasts'. Romeo realizes what he has done, now he knows he has to pay the results of his deed, his already dangerous love for Juliet will cause a compulsive string of tragic events, bringing both buffs to certain death. He identifies himself as a puppet of the unstable destiny.

Even from the starting lines, the audience is informed about the tragedy that will affect the two protagonists, establishing destiny as a style at the foreground of the play. The theory that tragic circumstances were determined from delivery for both of these lovers is recommended: 'from forth the fatal loins' (I. i. 5). This series together with, 'a pair of star-crossed fans take their life' (I. i. 6) talks about to the audience that destiny was what first helped bring them together and is also exactly what will eventually isolate them. The Chorus's beginning speech is continuously echoed throughout the rest of the play by other characters making direct personal references to fate. As Susan Snyder says: tragedy is seen as a 'ritual sacrifice', where the protagonist is 'both hero and victim, [. . . ], separated from the normal, but destined for damage. '

Even though Romeo identifies himself as helpless sufferer of his "fortune", there is a lot evidence of quite roles that Romeo and Juliet have in shaping and, in many cases, worsening, their future. Following a careful reading of the play we can declare that it is not simply a question of future. Romeo and Juliet could have been able to save their relationship by just using more acuteness, composure and quality. 'The selection of means confronting Romeo and Juliet is not confined to a single occasion, they receive a series opportunity of choice', but unluckily they always seem to choose the wrong way in which to escort their report.

Again we find a metaphor relating to the stars, as if Shakespeare has chosen these celestial bodies as icons for the fatality that lies over the complete play. But here we find the first of Romeo's faults, he takes a decision without thinking about the consequences: he has read the list of friends that are going to be at the feast and even though he is educated about the existence of Capulets, Montague's arch-enemies, he chooses to attend in any case. As mentioned previously, Romeo eliminates Tybalt out of trend, even though he has learned it creates things all the worse for his current situation with Tybalt's cousin, Juliet; but an even more basic instinct, the desire of a guy to avoid being thought a coward prevails and Romeo is driven to struggle Tybalt.

While Romeo lacks composure, Juliet's flaw is impetuosity. During the balcony field, Juliet hurries Romeo into matrimony by constantly questioning his love on her behalf and saying things such as, 'If thy purpose marriage, send me expression tomorrow' (II. i. 143-4). The Friar's flaw, which in the end had a large influence on this tragedy, is to be too impulsive. He offers to marry Romeo and Juliet, even though he is aware of there is a huge conflict between the families, probably hoping that the relationship would have fixed all the rivalries. In addition, we must understand that it's the Friar who gives Juliet the potion for suspended computer animation, which aggravates things even more.

Even though the protagonists discuss many 'fatal problems', a lot of things happen to their misfortune that's not their fault. To begin with, Romeo and Juliet shared the unfortunate fate that they were from feuding family members, putting their romance in jeopardy right from the start. Juliet expresses well this notion in her soliloquy on the balcony: 'What's in a name? That which we call a rose, by another phrase would smell as sugary [. . . ]" (II. i. 86-87). Another strike of bad luck is the actual fact that the Capulets, being truly a typical upper-class traditionalist family, possessed arranged a marriage between Juliet and Paris, up against the will with their daughter.

The scene where Romeo finds out about the feast is another twist of destiny. The illiterate servant of Capulet's was presented with the job of revealing to people about the party. Since he cannot read, he was forced to ask two strangers to explain it to him. Those two people might have been anyone, but they just been Romeo and Benvolio. Another ironic fact is that Romeo visited the get together because he was madly deeply in love with Rosaline. If Rosaline have been there, and she went back Romeo's love, then all the next suffering would never have happened. Romeo was completely in love with another woman going to the get together, which he only found out about to begin with through an unfavorable stroke of success. Another example of bad luck is the fact that Romeo never received the notice of Friar Laurence informing him about his and Juliet's program because of the plague in Mantua, the city where Romeo visited stay after his banishment from Verona. The notice must reach Romeo in time so that he understands of the agreement between Juliet and the Friar, but the town has been put under quarantine due to a plague. So Romeo never receives the notice and he is left unacquainted with the plan between the Friar and Juliet:

Again we find the concept of lot of money. The Friar curses this destiny, the 'miserable lot of money', aware that the storyline of both lovers has probably emerged to an end. Romeo is informed by Balthasar that Juliet has passed away: 'Her body sleeps in Capels' monument, and her immortal part with angels lives' (V. i. 18-19). These occurrences are the last straw and they will lead to the demise of both people.

Obviously the fate is directly related to the concept of time. Timing, in reality, played the most significant role in deciding if indeed they would live or die. Many scholars have identified it as the 'lover's opponent', which retards 'his speed when the enthusiasts are segregated and accelerates it when they are mutually':

'O lamentable day! O woeful time!' (IV. iv. 57)

In the balcony field Juliet hurries because the Nurse is dialling her; if Romeo acquired arrived a few minutes later at the tomb, the tragedy wouldn't normally have happened; moreover, if the marriage of Juliet and Paris had not been brought forwards from Thursday night to Wednesday the letter could have had additional time to reach Romeo in Mantua; if the Friar acquired moved into the tomb previously he could have explained the problem to Romeo and no harm could have happened to anyone. They are only a few examples of the negative and incomprehensible force that seems to control the happenings.

We will surely say that Romeo and Juliet is a crossing of fortuitous incidents, coincidences and personal obligations, all masterfully maintained by destiny and time. The love story didn't have to begin, the two addicts were not meant to meet one another, son and little princess of rival families. They both recognized this, nevertheless they could not allow it, their love was bigger than anything else. Imagine if it was the enticement of the forbidden which increased their love? Two teens, two rebels living in a sexist society manufactured from wedding vows and past rivalry. They preferred to risk, but risking is a matter of destiny, a cruel destiny which brought those to a certain loss of life. As said by Cassius in Shakespeare's Julius Caesar, 'The mistake, [], is not inside our stars but in ourselves' (I. ii-139-40).

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