Keywords: the death of the moth evaluation, loss of life of the moth woolf
In Virginia Woolf's The Loss of life of the Moth, she wrote in regards to a pathetic moth's death process. Although its battling and fighting with each other against death relocated her, the moth died in the long run. The Fatality of the Moth discloses a world loaded with common things: the moth, downs, natural light, rooks, men etc. The bond between them, however, is remarkable. The center of this world is frozen on a moribund moth and the rest is background. They are really here to see and also to contrast the fatality of the moth. Nowadays, life and fatality evolved in a wink which death process is released in a condensed way, stunning us readers' simple and calm life. Woolf was someone who suffered mental health issues throughout her life. In this essay, she commonly used personification. She considered the moth as herself. By condensing the individuals lifetime to a day life of an hay-colored moth, she demonstrated that loss of life was inevitable. Even though credited to "the true aspect of life", living beings have a tendency to fight the "oncoming doom" (107), any work against "the energy" will fail eventually.
Surprisingly, Woolf created a window that segregated the moth and her from the outside world. At the start of this article, she composed about the enjoyable summer day. Everything outside the house was motivated by the vigor. The keener smell of air, the early work in the field, the "utmost clamor and vociferation" of rooks shows us this picture of vitality (106). Furthermore, she thought we would write many big, strong and significant things deliberately, such as the rating plough, the horses, the ploughmen, the rooks etc. She directed to foreshadow the compare between your moth and outside the house living beings: "That was all he could do, regardless of the size of the downs, the width of the sky, the far-off smoke of homes, and the loving voice, occasionally, of a steamer out at sea" (106, 107). Compared to the world outside the windows, the moth was pathetic and "little or nothing but life" (107). The world was larger than the moth can notice. However, set alongside the "oncoming doom", even the large and strong outside world was fragile and insignificant, let alone the tiny moth: so long as it chose to, the oncoming doom could "submerge a whole city, not only a city, but public of humans; nothing, I recognized, has any chance against fatality" (108).
The world inside the home window was individual and different from the planet outside. Woolf had written about the moth traveling around the screen, from one place to another, or across them. Not only the moth was small, but also its life, though somehow energetic at that time, was actually boring. There was nothing else remaining for this to do besides traveling. Outside world was dazzling and colorful, but the moth was slightly lonely, exactly like Woolf herself. The windows was like a barrier, keeping her from enjoying the optimistic and positive life. She believed pity for the moth, just as though she thought sympathy for herself. Eventually, the moth resolved on the windowsill, maybe because it was tired. It wanted to soar again, but failed. It looked that little creature was fatigued. Its movement and struggling was awkward. It failed several times and finally fell down and place on its back again. Death crept up on this poor and pathetic moth. Woolf tended to make it, but suddenly became aware that was the token of death. She knew death was inescapable, and she accepted that. In her brain, nothing people can do to stop the energy of loss of life. Hence, she select not to hinder the natural process. The moth was attempting. She was migrated by its extremely strong will to have. Its tiny little feet fluttered repeatedly. The final protest was successful, but this instant triumph didn't save it from taking away by death. At the previous few sentences of the previous paragraph, she repeated the term death for six times, endeavoring to emphasize that little or nothing can win the fight against oncoming doom. Except using repetition here that contributes force, the whole passage was seeking to avoid this. Synonyms were commonly observed in her words, such as pity, pathetic, sympathies; also inadequate, helplessness, futile, vainly and failing; loss of life, oncoming doom, the energy, destiny etc.
From her words "it was superb this last protest", "one's sympathies, of cause, were all privately of life", "moved one strangely" etc. , we can see that Woolf respected, well known and praised the life (108). Thus, she applied personification throughout her essay. The moth is she, and she is the moth, attempting and struggling with all her life. Virginia Woolf endured mental condition during her life-time. Actually, the particular date when she wrote this article was very near her suicide. As she said in the end of the article "death is stronger than I am", her health problems was torturing her and she wished an end (108). The moth's life is actually her life. She condensed it to a day. Her life is not brilliant and interesting like the planet outside the home window, but boring, simple and boring. She experienced a same windows deep down in her head. A barrier, through which she could start to see the world, but she fail to blend in it.
Maybe for the reason of her mental illness, she can easily see the world differently than common people and can understand her interior thoughts more thoroughly, thus creating her superb achievements in understanding the technique stream of consciousness. She can write intricate phrases as her wish, and blend her true thoughts into her words: "Yet, because he was so small, and so simple a kind of the vitality that was moving in at the open up window and generating its way through so many slim and complex corridors in my own brain and in those of other humans, there was something marvelous as well as pathetic about him" (107).
In this essay, Virginia Woolf apparently wrote about the moth, while actually she published about herself. Pessimistic sentiment flooded this article. No one can stop the natural process. No one can escape from fatality.