The topics in this play are centered on the discussion which stipulates human being brains in very violent and difficult aspects due the following; the lust for electricity and the violent functions associated with it, the chauvinistic clash man against female dominance, crime and its penalty, discomfort versus purpose; tribal alienation versus democratic idealism; contaminants and purification. These have been emphasized for their prevalence in the family set-up.
The middle point is Apollo places a curse on prophetess Cassandra for refusing to provide her a submit relationship, she willingly accepts the responsibility for the final results of Apollo's curse (Fagles, 2010). Prophetess Cassandra experienced entered into an agreement that required him to give her gift idea to prophesize in substitution for her; however after getting the power to prophesize she does fulfill her assurance which prompts Apollo to punish her. This is enough evidence of arrogance defiance to a god by women.
Historically, there are political issues that entail market leaders, wars, and maintenance of legislation and order. The Furies takes on the judicial role by punishing those involved in terrible offences through tormenting them by irreversible curses. In this case one is not punished by human laws, the gods do the duty. From the Chorus the Greek troops are warned of the possible consequence for being too much violent on Troy because that presents lawlessness.
Apollo along with his powers can not save the prophetess Cassandra from the eminent murder risk from Clytaemnestra, therefore she is very upset. She was cursed to see future occasions but she cannot have control over them. The energy of the gods is obvious when Agamemnon and prophetess Cassandra are pronounced to loss of life but no human being powers have the ability to change.
Clytaemnestra torments Agamemnon by cleverly convincing him to walk over the red carpet an action which is signifies his demand for acceptance of the role she played out in the Greek win. This is an offence to the gods. Much like Cassandra, Clytaemnestra feels in the ideas that justice is best achieved through revenge "An eye for an eye, " she feels that more murder can be considered a possible detoxification for the sins triggered by the earlier murders (Wilson, 2010).
Politically
The play matches into its time politically by carefully a portraying a design in change where that it's still possible for the less powerful school of the world to continue to experience their normal functions in the contemporary society. This play is an avenue through which the Athenians to have the ability to understand recent political changes and also understand them (Aeschylus Et al. 2004). This pattern of change shows the severe changes that are left out by various that the folks leave after them. That is apparent when Athena persuades Furies to give up their violent pursuit of Orestes for revenge of killing his mother.
Furies are therefore helping maintain the cosmic order by enforcing regulations that the daddy of gods and men administer hence they are not viewed as being anarchic and primitive spirits of violence. These are therefore feared and honored equally Artemis because they're worried about justice in the society.
The play also meets into its time politically as it was written a time when tragedy was an order of your day in traditional Greeks politics in particular when it was under tyrant Pisistratus hence playwright needed to restructure their material to portray the point out of the politics of the time. In Oresteia play therefore was used to magnify politics issues of the time by embedding to the custom of the Athenians.
The behavior of arrogance is referred to as a offense that gets the consequences of a heavy abuse. The old men experienced a tough alert that being high and filled with pride. Paris didn't struck to this advice and for that reason became guilty because he arrogantly triggered violence to Menelaus' trust, more worse he proceeded to kidnap Helen, Menalaus' partner. This act led to terrible suffering though his own fatality and the next destruction of his city and lineage.
Sociologically
The play matches it its time in that it details an era when women could be seen to take leadership role sin the society and the writer portrays women to be strong and powerful just like men are, for example Clytaemestra guidelines Argos while his spouse is away in try and also handles to connive him to walk on the red carpet despite the fact that is only meant for gods.
Clytaemnestra is a female who exhibits the behaviour of a guy even though she is of an weaker gender, this brought on the Chorus of Elders to be annoyed. She does different tasks that girls were not likely to do, for case she actually is a murderer and his mannerisms were strange because he could speak back them, she even goes to the magnitude of admiring to be the ruler of Argos (Slayford-Wei, 2010). However she did every thing that which was not said to be done by other women, she was a murder, she was communicating back to men and she wanted to rule Argos which all of this were meant and then be done by men. From Men's Chorus Helen and Clytaemnestra are depicted as creatures that are really evil because they bring destruction and wreck to the ways of men.
The opinion by Cassandra is the fact women must have respect because of their husbands and always try being good wives. She doesn't believe that Clytaemnestra has the right to brutally murder her hubby, although Clytaemnestra is irritated because of the loss of life of Iphigenia. Cassandra is so disgusted that she compares Clytaemnestra to an extremely hideous animal. The Chorus of old men obviously ignores her warnings but she is confident of exactly what will happen she therefore selects to remain relaxed with a passive popularity of her fatality.
The Chorus of men is disbelief of the fact that a female like Clytaemnestra could actually dare to execute such an take action of murder because of her girl solid wood. Clytaemnestra dares them by proving her animosity as she proudly clarifies to them how she performed this violent act with her own bloody hands. Within their response, they state that she will be crushed to loss of life by the "bitter feeling" of men, this is partly because of the fact that the fatal crime was determined by only creature which is a woman.
Spiritually
The author argues that there surely is a thin collection between humans and beast and so allows individual to change to beasts to try and show that the individuals who leaved in those days were as in human as beast would be fro occasion the partner of the ruler who eagerly foresee to the go back of his spouse so that he'd murder him and continue ruling (Wilson, 2010). That is further clarified when she finally hideously murders his hubby upon his go back from Troy.
Athenians at the time of Agamemnon showed little if any loyalty to their women and usually never included them in the making of family decisions. For stance when Agamemnon is given an opportunity to decide between giving breeze to his men and saving his daughters life, he respects his men more and even moves ahead to sacrifice his own daughter without consulting his wife, Clytaemnestra.
The elders in the chorus are fast to blames Helen for what has befall Argos experienced termed her to a typical woman who causes trouble and the main one who caused the Trojan warfare. They aren't ready to cross the blame to the man who kidnapped her simply because he is a man and she's to adopt the blame because she actually is a female.
More therefore the king Agamemnon blames Helen for all the fatalities that resulted from the etojan warfare. The Chorus shows high admiration for the gods by fearing beings such as the goddess Artemis. The gods as are incredibly powerful, Goddess Artemis at one point demands for Agamemnon to make his child a sacrifice in order for the Greek boats to sail to Troy. The old men make their appeal for help from Zeus (gods' king) and Artemis' brother Apollo.
Apollo with his powers cannot save the prophetess Cassandra from the eminent murder risk from Clytaemnestra, therefore she actually is very upset. She was cursed to see future occasions but she can not have control over them. The power of the gods is obvious when Agamemnon and prophetess Cassandra are pronounced to fatality but no human powers have the ability to change.
Clytaemnestra torments Agamemnon by cleverly convincing him to walk over the red carpet, an function which is indicates his demand for recognition of the role she performed in the Greek success. This is an offence to the gods.
Philosophically
The play implies that Athenians reputed their aged gods even after they have been overthrown by the younger gods. That is shown by the looks of the Cronos in the Oresteia despite the fact that it was no longer worshiped. This play therefore demand that when there is change there is bound to be losers and winners however the losers are contented for the nice of the higher culture (Slayford-Wei, 2010).
The play implies that Athenians believed around and inheritance of curses. This is noticeable in the adage 'sins of the daddy are visited after the son'. Aegusthus' dad evokes a curse to Atreus his Son, when he was given on the butchered children.
Also Athenians experienced the thinking about 'violence begets assault' and therefore revenge was seen as the only real normal and right way of avenging against once defaulter. An attention for an eyes was the way to societal justice.
Agamemnon avoids being regarded as unmanly because of the excessive behavior to womanly desires. He therefore distrusts her because of her attempts to make use of womanly ways in convincing him. He will try to imply women are typically manipulative creatures however Clytaemnestra shows her prevalence over this man when he willingly to walks over a red carpet. She keeps really electric power over men, her hubby also included.
Towards the end of the story, there is certainly role reversing between men and women, Clytaemnestra, remains as the one woman in charge; she bosses to Aegisthus and the Chorus as really the only male people around her, both of these characters serves like women despite the fact that they symbolize men (Slayford-Wei, (2010). The chorus of men was at first disrespective to her; Clytaemnestra is now able to belittle all male people. Therefore, the Greek society questions the reversal of tasks and its effects to the men's position.
Clytaemnestra behavior is normally that of a guy, this upsets the Chorus of Elders. By doing everything in a manly manner she feels that she has finally delivered justice to Argos, she handles to end the curse of bloodshed that were in force for quite some time. In the chorus "I swept from these halls/the murder, " it is enough evidence for her belief, Matching to her, the murders of Agamemnon and Cassandra signifies the erasure of previous generations' bloodshed.
