Desdemona, Othello | Analysis


The persona of Desdemona in Othello seems at first glance, practically perfect. She undoubtedly owns the characteristics of a good person. She is kind, faithful, an innocent and most importantly the love she's for Othello is genuine. But despite the fact that's she actually is falsely accused of adultery, and wrongly murdered for it, she actually is not entirely without responsibility. Desdemona's virtues becomes her imperfections and her deceptive action all donate to her downfall. Shakespeare sets the character types in this play and human relationships under microscope to portray their bad attributes. By marrying Othello, Desdemona was exhibiting that she was strong enough and informed enough to break the societal confines of passivity for girls.

Desdemona portrays to be such a good person she doesn't even protest the injustice inflicted on her behalf, but she actually is definately not innocent. Desdemona has no understanding of jealousy. She is too genuine and kind hearted but lacks worldly wisdom. Desdemona never stood up for herself; allows everything to occur to her lacking any insinuation of have difficulty, including her own fatality.

Even if someone is absolutely perfect doesn't imply they will live a blessed life. In life no person is ideal and we are defined by our goodness and our defects. It's a fact that a persons flaws be seen more than the nice they've done. You can spend your entire life successful but if you were to commit a crime that's all you would be remembered for.

Deceptions plays a major part in this play, it also appears many times. More often than not the dgree of deception differs. Most of the heroes in the play use deception to get what they want, plus they use deception through body gestures and verbally. It's ironic that Desdemona has made the first deception, and it the finish she is kept with the most detrimental faith of most. Iago does have a point when he accuses Desdemona to be a clever actress, for she's indeed managed to deceive her dad completely, and to go absolutely against his wants. Of course, it is not safe to accept everything Iago says, because his own point of view is so evil. Desdemona's deception was done with only good hearted intentions. If someone deceives others with good intensions then in a way the deception is partially good. Whether it's bad intensions then the person is bad. Desdemona wished to protect her father, because She understood her father would find out about her and Othello, so she would be delaying the inevitable pain which her father was going to feel. Good intensions don't always have good results, because anticipated to her deceit her daddy died.

Although deception is obviously meant to deceive, aIgo's deception is a lot more serious. When Iiago said to Othello "she does deceive her daddy by marrying you", he was intentionally wanting to anger Othello and place uncertainty in his mind's eye. It made Othello surprise if she can deceive her own father what makes him think she won't deceive him as well. Even though deception is thought as trickery and malicious, deception can be through its intentions. A mistake Desdemona makes is that she determines to ask Iago for help because she wishes him to confirm her fidelity to Othello to the person who condemned her right away was not a good idea.

Instead of talking about her domestic issues with another person she should've just been more available with Othello and speak to him about the problem. There is a lot of lack of communication between Othello and Desdemona. It's understandable that they just could've sat down and discuss their problems, iagos lays wouldn't work.

The next person Desdemona deceits is her hubby, and it's this deception that helps Iago by far the most, along with his evil strategies. Othello give Desdemona the handkerchief as symbolic of his love. The handkerchief was woven with a 200 yr old sibyl; his mom used it to keep his father faithful to her. So for Othello, the handkerchief recommended marital fidelity. The design of strawberries on the kerchief have been published with the dye from the hearts of mummified virgins and so it's suggestive of a warranty of virginity. Desdemona unknowingly misplaces and can't remember where she located it. The moment she lost the handkerchief it caused the exact reverse of the mystical forces of the handkerchief to did the trick it's misfortune on Desdemona.

Something so dear and valuable to her was carelessly lost. She says him a flat out lay about its whereabouts. The handkerchief is utilized as the best piece of major data to prove the infidelity of Desdemona. The reliance of the handkerchief is incorrect in that the play would have dramatically changed very easily if it wasn't lost, in case Desdemona could've handled that situation better. If Desdemona just told Othello the reality about the handkerchief and Emilia had chosen another span of actions then Iago wouldn't have significant proof against Desdemona.

Desdemona is incredibly naЇve, but we can believe that she has been faithful and hasn't considered straying from her hubby. When Desdemona says "Dost thou in conscience think-tell me Emilia-that there be girl do misuse their husbands in such gross kind?"(4. 3. 1020). This is very naЇve of her. Desdemona constantly shows merged signals, even though she shows indicators of naivety but how are we to reconcile this naivety with the boldness that she exhibits in the senate arena. The fact that Desdemona is naЇve is not her mistake because in Venetian society wives and daughters were cloistered. The ladies of the 17th century were probably to exceed the norms of sexual morality established for Venetian female of this time. Only a blessed successful few were able to have the real knowledge about sexuality. Venetian society brain washed Desdemona's mind anticipated to how she grew up. The wives had to obey their spouse no matter what. If she doesn't let her man rule family members their love an life would maintain ruins. Desdemona is portrayed as a spirited and 3rd party woman, matrimony to a solder made her change herself. Steadily she loses her self-confidence. Like Emilia a battered better half who's been through much more in life, Desdemona abandons her potential to think for herself. Both girl are portrayed as victims of venetian relationships. Since Desdemona was courageous enough to defy her dad and marry the man she needed, that function of independence took away the gender barriers of the Venetian culture and it threatened the male authority. Many marvel "which is the 'real' Desdemona: the striking speaker before the council, or the naЇve sheltered young lady? Both Desdemonas are believable. These are one and the same, and her personality appears reasonable constant throughout. "(hadfield. 83).

Desdemona has a halo effect throughout the play, she actually is the type hearted and happy to help others in need. Iago's programs sets in movement when he suggest that Desdemona put in a good word for cassio so he could easily get his position again. Once again her deception was finished with only good hearted intentions. Desdemona reaches problem in her wifely carry out and innocently provides the evidence that contributes to her own loss of life through assertion of her own freedom. The ways she tried to persuade Othello to provide cassio back his position was not the smartest way.

Constantly talking about another man to your hubby would always bring questionably hesitation to anyone even a devout good person like Desdemona. Othello understands Desdemona is wished and desired by many, so each and every time she introduces this issue of cassio it creates him wonder why he's so important to her that she maintains bringing up his name. If Desdemona could've just gave up aiming to help cassio because it was clear Othello wasn't hearing her about him she wouldn't have presenting him reasons to question her fidelity.

Not all acts of deception are done with intentions of protecting one you love. Iago is the one one who always acquired bad intentions in his deception while Desdemona's deceptions were done with good intensions. Iago deceives many people in the play and can be set alongside the devil. Little or nothing in life happens by chance everything has activities that have repercussions.

Her honesty would never have been questions if she was completely honest, more wide open with her man and lest careless about the items she said and performed. Regardless of the truth of some of those deceptions her deceit of her daddy is what causes her downfall, because no good can come from disobeying your parents.

The question in the back of every one's mind is how exactly we know Desdemona is innocent? Think of it this way how do you know anybody is innocent? If they're opportunities that what she is being alleged for can occurred and has substantive data against her then who wouldn't consider it? Its mentioned that "nobody is aware of that Desdemona is innocent; we imagine she is. If it's adultery of which she is accused then there has been no opportunity, but if it is more generally alleged that she has had sexual relationships with cassio and despite having others then we have no idea that she has not".

I wonder why the girl who stood against her father before the venetian senate runs so submissively to her loss of life. It's not to say that she loved Othello more than her daddy, the play just shows us two different aspect of her. Desdemona unwittingly colludes in the prep of the arena of her ritual demise, you see how she's differ from a young lade to a erotic alert, vibrant person to a iced body. It is difficult to avoid her summary in the end.

Desdemona argues her circumstance until she realizes that trust is lost when Othello tells her cassio is dead. In my judgment she should've never gave up when you life has been threatened. She was alert to her future fate. Her phrase 'betrayed' of cassio allows us to know. She knows who ever before has betrayed cassio in addition has manipulated her partner against her because till the end she never blames Othello, because till the finish she still identifies her partner as 'my lord'.

Desdemona became a passive sufferer, her bill of her mother's maid Barbara and her willow tune demonstrated her passivity. Desdemona recognizes of her impending loss of life, but she is too good and too devout to do anything about it. Her performing the willow music foreshadows her death, an proves she's given up expectation. Love can make people do some crazy things, and love can cause you to blind to the truth around you. Desdemona adored Othello much she was happy to undergo the pain he was placing her through. She cannot help being made into a sign, and she cannot determine her signification. From what degree can we control ourselves, and love. Desdemona is the martyr of the play the tragic female heroine who ends up being sacrificed to meet to fates. Desdemona, although an intelligent woman seeking liberation, dropped into Iago's trap because she cherished Othello and was upset that he previously considered her a "whore. " Desdemona's naivety, deceptions with good intensions and her passivity all play parts in her downfall, with the help of iago's evil schemes. Woman with time depend for his or her class status using their company affiliation with man, and Desdemona throws away that position and the cover is affords when she marries beyond your categories her civilizations allow. Since she desire different things, she was punished not only in the lost of position but even her life. The woman's desire is punished and eventually its monstrous motivation as well. Desdemona as "helplessly passive. " Is why she couldn't stop her fatality and was able to do nothing whatsoever.

Works Cited

Hadfield, A. William Shakespeare's Othello A Sourcebook (Routledge Literary Sourcebooks). New York: Routledge, 2002. Print.

Potter, Nicholas. Othello Personality Studies. NY: Continuum International Group, 2008. Print.

kennedy, X. J. , and Dana Gioia. Books An Launch to Fiction, Poetry, Episode, and Writing, Compact Edition (5th Edition) (Kennedy/Gioia Literature Series). New York: Longman, 2006. Printing.

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