The section of feminist can maintain two categories, socialist feminist and bourgeois feminist. The first group is the movement more political oriented, more difficult than the next one. In the bourgeois desire to is at achievement of masculine world, they seek the success thought by men. Therefore they try to become as powerful as men. The structure of patriarchy is upheld by feminine imitation.
Because of the defective foundation of european thinking which lies in structural binaries, the top is in front of heart and effective in front of passive and brain before body. What patriarchy ignores is these two poles are interconnected. One cannot live without the other. man and feminine lifetime is inseparable and their individuality is bound to one another. HIS logical and reasoning condition gain meaning beside HER mental and physical appearance.
Helen Cixoux suggest for above composition, physical aspect of female body which can be away and oppose to male place. This notion can pave the ways for plurality of the selves and put together choices for plural identities. Shifting selves, which the traditional fixed self applied is refuted, offered female the tone of voice more powerful than male reason. So, this tone of voice offers them privilege body over mind. For Cixoux, uncertain character types with unstable perspective in the refuted linear amount of time in story tend to be acceptable.
Luce Irigary, like Cixoux, attacks the rationality of traditional western culture, that reason and logic are male criteria because there can scarcely be any benefit for the female. Patriarchal traditional western culture has framework in either THIS or THAT so, the degree of ambiguity is reduced to least. Certainty and definite are maximized. That is masculine product that she rejects this idea and refutes it.
Another important issue on her behalf is "home" idea or "homophobia". Home for girl is not space of safely, is space of suffer. They would like to break free from it to create female subjectivity and because of this, it's important to leave behind safely of home, the known and comfort to experience the unknown, risky and dangerous. Both linguistically and psychologically female should experience otherness, unfamiliar and strangeness. She also insists on the development of female words to subvert male framework and also to refute male patriarchy, women should speak their own vocabulary.
But Kristiva speaks not the same as two others. On her behalf female body does not matter. For her communal and historical areas of subjectivity is vital. Identity is given to a person when she is born. Community order cannot carry the liberty of its functions. It uses of all its power to move them along with ideology. All social products and texts are result of historical dialectics, between two pushes which one tries to set up place to set up a system and the other someone to subverts and undermines it.
In DEFOE novel ROXANA, the female figure use of her own body as a weapon or tool to misuse men. She uses of her own body to make men, even the most effective ones, bow her and bent her. We are able to divide this book in two parts. The first part her moving into her father's home, obeying him and marring whom her daddy orders and her entry to her hubby life, again fallowing his rules and just produced children as a good slave or function, in line with the rules and grammars of culture. With this part Roxana, the girl, is silent. The atmosphere of the section is completely under male specialist. However the second part which is the major part of the book belongs to Roxana, feminine zone. She actually is not silent nowadays. This is the world of female, world of audio, words and pleasure. As Kristiva mentions, Semiotic form of life in women's culture is different from grammatical and structural life of the men. This is the distinguish point in sexes, realistic man and pleasurable woman.
"HOME" was a jail, known area, for Roxana, but she trips from known to unknown. Prison makes her experience and uplifts her to enter in " new world ", world of power, male and expert. In her collaboration with prince she actually is also poisoned for a while. No usage of outdoors world, again her entrance to home is poisoning and her usage of experience was blocking.
Traveling is important concern in this novel. She changes her space different times, from Great britain to France, from France to Italy, always is visiting from recognized to unknown. This is the woman's world. Roxana's changing places, showing her unpredictable and not set identity. Most of her trips are from general population to private, external to internal. She is searching for id and stability. Here is the nomadic sign system, counter-top signifying of girl. Looking for peace, comfort and freedom but can never reach it, (Deuluzian desire).
She is colonized by other men; her body has a performative function for men and ideology because satisfies masculine world so when she is effective, she fulfills the ideology. But this is a binary system, do it yourself and the other, she also colonizes them. They are really colonized by her body passion, cannot leave her even the most effective ones, prince, ruler, landlord, product owner. , each is connected to her, so, their rational mind is useless and her physical appearance is superior. This is actually the point that neither masculine nor feminine can subject. Both are stuck in one another affections.
Roxana works her action in three parts, as a better half, as a mistress, as a whore. The plurality of personal information and efficiency are results of the performances. Each part has its own individual characteristics. Private and general population, inward and outward in each circumstance is different. As being a partner her private belongs to herself and her family but as a prince's mistress her private is shared by public, so, for politics and security reason she is averted to let her inside times to exterior world and as a whore her private belongs to all or any, no restriction, its mixed with public eagerness.
The matter of desire and absence is the other subject that may be mentioned. The desire to becoming, she really wants to become needless and escape poverty, but her string of desire extended and she becomes whore to be wealthy. Her condition of poverty improves to ideal condition, but, her needs were endless, woman of pleasure changes to business girl. Desires are counter signifying, nomadic indication system. (Deuluzian desire).
Roxana is showing the whole account, all time duplicating her life tale, so, she becomes text message, subject, and an icon. Her private changes to general population and her unidentified world is opened up. Her textuality mingling with her personal life leads her to escape even from her own children. She wishes to get male specialist and electricity but ruined herself, although she gets money, vitality but these released her to other creature, "lady Roxana", the name that at the end she escapes it. Always she is escaping from KNOWN, because it terrifies her.
starting with Cixoux and Irigary and ending with Kristiva's idea researcher needs to mention the real process of world that even in case there is feminism the track of ideology is obvious and dividing sexes relating to their individual characteristics is inevitable, Because the communal and environmental features do not have secure quality and always changing, human being, no matter man or woman, is changeable because their dreams is counter signifying, and never ends.
REFRENCES:
ROUTLEDGE Friend TO FEMINISM& POST FEMINISM: BY SARA GAMBLE
FEMINIST AND PSYCHOANALYSIS: BY DANIEL RAMSEY
HISTORY OF FEMINIST: BY GILLAN Ordinary & SUSAN SELLERS
FEMINIST CRITICISM &POST STRUCTURALIST: BY CLAY COLEBROOK
GENDER TROUBLE: BY JUDITH BUTLER
