Language And Nonsense In Lewis Carrolls Alice Literature English Literature Essay

"I'm very much afraid I didn't indicate anything but nonsense. Still, you understand, words signify more than we suggest to express when we use them; so a whole book must mean considerably more than the article writer means. So, whatever good meanings are in the booklet, I'm glad to simply accept as this is of the publication. "

Many people think 'Alice's Adventures in Wonderland' is an exemplory case of the limit-breaking booklet from the old tradition illuminating the new one. They also consider it being a tale. In the looks than it, the storyplot about Alice falling by using a rabbit-hole and finding herself in a silly and nonsense world is rather guileless as a tale.

The underlying history, the one about a girl maturing away from home in what seems to be a world ruled by chaos and nonsense, is quite a frightening one. Alice detects herself confronted in several situations regarding various different and interested animals being all alone. She hasn't acquired any help in any way from your home or the world beyond Wonderland. The theme with Alice growing and shrinking into different sizes could reveal the pros and cons of adolescence with teenagers sometimes feeling adult and sometimes quite the opposite. One other example of maturing is Alice used to the new sizes she increases. She foretells her foot and learns some of the new ways her body works in. Her feelings are much shaken from her activities and she cries frequently if it is impossible to follow the guidelines of the Wonderland - or is it adulthood? "Everything is so out-of-the-way down here", as Alice often repeats to herself.

Carroll can be an expert at puns and irony. The part with the mad tea-party is one of the best types of this. MAD TEA PARTY

There's a lot of humour in the first Alice reserve, but in the next the disposition gets a little darker and more melancholic.

The quote "Everyone in Wonderland is mad, in any other case they wouldn't be down here" advised by the Cheshire Kitty can get an existential meaning. Could it be that everyone alive is mad being alive, or everyone thinking him- or herself away is mad because of the escape from actuality? Time is an extremely central theme in the storyplot. The Hatter's watch shows times because "it's always six o' clock and tea-time". Time matters in growing up, I guess, but further interpretations are left unsaid.

The first manuscript was called 'Alice's Adventures Underground', and this some - at least the Swedish - translation of the title is somewhat ambiguous, it becomes more clear, that the earth Alice enters is not only any children's' playground, but a slightly terrifying and dangerous place for maturing. It becomes more interesting when Alice finally gets into the garden and locates a load up of credit cards ruling it, with a very evil queen at its head. It looks a way of expressing that the garden isn't really what it appears to be.

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Humpty Dumpty informs Alice that 'there are 3 hundred and sixty four days and nights when you can find un-birthday presents. His assertion is another enhancement to 1 of the oldest and rudimentary philosophical controversies: whether Non-Being, like Being, is out there. In the Sophist dialogue, Plato argues that what 'is not' in a few sense also 'is', refuting Parmenides' concept of the impossibility of the Non-Being to can be found. Non-Being is just a being characterised only by its difference from 'another' being. Carroll was no stranger to Greek idea.

Carroll is over and once more seen to be fascinated with the idea that Nothingness is more than what fits the attention:

'Take some more tea, ' the March Hare said to Alice, very earnestly.

'I've had nothing yet, 'Alice replied within an offended firmness, 'so I cannot take more. '

'You imply you can't take LESS, 'said the Hatter: 'it's super easy to take MORE than nothing. '

The Hatter advised Alice that he 'recognized Time' and that one cannot 'discussion about losing it' because Time is 'him'. Time, says the Hatter, is someone that if you merely 'realized how to keep on good conditions with him, he'd do almost anything you liked with the clock, you could well keep it to half-past one so long as you liked. '

To Humpty Dumpty, as well as to the Hatter, Time is a real entity. Once we become aware of this truth, Plato's concept presents no hindrance to the presence of either birthdays or un-birthdays. As with Time, Amounts too are portrayed by Carroll as real entities. Upon entering your garden Alice arises to three cards gardeners presented by Carroll as Two, Five and Seven. To Carroll, the Christ Chapel mathematician, Volumes, like Time, are usually more than just abstract information - they are simply real Beings. Carroll venerates here Pythagoras' concept about Statistics. Aristotle documents that the Pythagoreans organised that Amounts were: the first things in the complete of characteristics' and this 'the components of numbers are the elements of all things'

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Language takes on many jobs in 'Alice's Activities in the Wonderland'. Carroll illustrates Alice's capabilities of reason, offers her personality and explores rules of chat.

From the beginning of the booklet, Carroll portrays Alice as a remarkably intelligent litttle lady, demonstrating this through her verbal reasoning. After sipping the container and shrinking down to the correct size for entering your garden, she finds she's left the main element to your garden on the table, now way above her mind. Finding a wedding cake that will probably produce another change in her size, she chooses to eat it. 'If it makes me grow greater, I could reach the key; and if it makes me develop smaller, I could creep under the entranceway: so both way I'll get into your garden, and I don't care and attention which happens'. Alice correctly identifies that any change in size, whether smaller or much larger, can suit her goal.

Alice's electricity of reasoning seem to be to be insufficient to just a little girl's character. One could certainly claim that Alice's fearless reasoning regarding the benefits of eating the cake is uncharacteristic of a child.

However, whilst Carroll uses Alice's reasoning to bring attention to her, he skillfully weaves Alice's childish character into her words, as when she announces: 'and I don't care which happens!'. Despite her intuitive reasoning, her speech is still childish. Indeed, Alice's reasoning is always mentioned plainly, as a child might conceivably speak. On the mad tea get together, when the Dormouse is revealing his tale, Alice retains interrupting. Noting discrepancies in the storyline that others seem to disregard, she says: 'But I don't understand. Where have they sketch the treacle from?' Alice has observed that it is difficult to draw something out of any well if you are already in the well, the remaining character types treat Alice's questions with impatience. Despite the sense of her questions, they can be phrased as a child requesting, 'why?' repeatedly, which will keep her in personality for just a little girl even while she exhibits her intelligence. This way her reasoning stands out from the complexities of the nonsensical Wonderland.

Another function of dialect in Alice in Wonderland is to explore Alice's identity. Matching to Martin Heidegger, individual identity is dependents on terminology. Alice shows proof this personal information through vocabulary. Having found her size so abruptly modified with eating the wedding cake, she questions if she actually is still herself:

'Let me think: was I the same when I acquired up this morning? I almost think I can remember feeling just a little different. But if I'm not the same, another question is 'Who in the world am I? Ah, that's the great puzzle!'

And she commenced thinking over all the kids she knew that were of the same time as her, to see if she could have been changed for just about any of them.

Carroll also explores the rules or interpersonal conventions of dialect. Early in the storyplot, Alice strikes up a chat with a mouse. She only succeeds in offending it, however, by talking about cats:

'Oh, I beg your pardon!' cried Alice hastily, frightened that she had hurt the poor animal's emotions. 'I quite forgot you didn't like cats. '

'Not like pet cats!' cried the Mouse in a shrill, keen voice. 'Would you prefer pet cats, if you were me?'

Throughout her time in Wonderland, Alice discovers to change her conversation issues to her size, and not offend creatures with reminders of where they list on the food chain. She shows her new understanding of Wonderland's rules of etiquette during her visit with the Mock Turtle:

'Oh, regarding the whiting, ' said the Mock Turtle, 'they - you've seen them, or course?'

'Yes, ' said Alice, 'I've often seen them at dinn - ' she inspected herself hastily.

Alice has learned from her earlier encounters with Wonderland creatures what's considered offensive by the guidelines of dialect, and ceases herself just in time from mentioning that in her world, whiting are food, not friends.

'If any one of these can explain it, ' said Alice, (she got harvested so large in the last few minutes that she wasn't a little frightened of interrupting him, ) 'I'll give him sixpence. I don't believe that there's an atom of so this means in it. '

'If there is no so this means in it, ' said the Ruler, 'that saves a world of trouble, you know, even as we needn't try to find any. And yet I have no idea, ' he went on, spreading out the verses on his leg, and looking at them with one eye; 'I seem to be to see some so this means in them, after all. '

The Ruler then proceeds to dissect the poem and discover its meaning. He is, in fact, analyzing the poem with the interpretation already made the decision after - a fallacy that is all too possible for an overzealous scholar to commit. Alice, on the other hands, is willing for taking the poem at face value - as a poem and nothing more - in that way showing the innocence that Sontag so wistfully identifies. Using the turmoil between the King and Alice, Carroll makes a affirmation about the threat of trying to read too much into a work of art.

Lewis Carroll's 'Alice in Wonderland' is a great exploration of vocabulary. Carroll uses language to create Alice apart as smart, even while he uses convenience of diction to show that she is still a little girl. Using a combination of introspection and talk, Carroll explores the issue of identity, successfully demonstrating that Alice's identification through her reasoning skills, even though she herself uncertainties who she is. Carroll also takes on with the rules of language and exactly how they are discovered, by adding Alice in unheard of situations and demonstrating how she learns the new laws and regulations of chat etiquette. Finally, by exhibiting the absurdity of utilizing a poem as legal facts, Carroll berates his viewers for trying to learn too much into his own report. The many functions of dialect in 'Alice in Wonderland' show Carroll's skill at manipulating words to make his points.

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Carroll makes a distinction between the absurdity of the plot and the rationality behind the character's comprehension of Alice's terminology and their literal manipulation of words, phrases, and titles. Carroll playthings with linguistic conventions in the Throughout the Looking Glass, utilizing puns and playing on multiple meanings of words throughout the written text. The author creates words and expressions and even invents new meanings for words.

But even after a sense of the routine is made, the perceptive use is constantly on the surprise. This method pushes readers to examine the utilization of terms and articulation. Anything is possible in Wonderland, and Carroll's manipulation of dialect displays this sense of infinite possibility.

Written in nonsense verse, "Jabberwocky" is almost a satirical heroic ballad that embodies Lewis Carroll's imaginative terminology play. The poem creates an transformed sense of indicating through created words. These invented words have English traits and are simple to read and say, they just do not have meaning outside the context of the poem. he lyrical layout, audio of the syllables, and placement in the syntax give many clues as to each words meaning, but no precise definition can be decided. "Jabberwocky" shows how words void of any so this means in and of themselves can have power, tone, and sense. After reading it Alice is merely sure of a very important factor, "somebody killed something" (Carroll 97). Later in the story, Carroll revisits the topic of titles and the poem "Jabberwocky" when Alice meets Humpty Dumpty. Humpty Dumpty, who seems to be substituting words at will, tells Alice they can control of his words as well as their meanings.

Shortly before achieving Humpty Dumpty, in chapter four, Alice satisfies a set of twins who seem to be to be mysteriously under the control of terms. Tweedledee and Tweedledum are twins who converse in a manner suggesting a notable difference of opinion as Tweedledee often remarks "Contrariwise!" However whatever follows this expletive doesn't ever before appear to be contrary as exhibited when Tweedledum says Alice "I really know what you're thinking aboutbut it isn't so, nohow, " the other follows adding "Contrariwiseif it was so, it could be; of course, if it were so, it would be; but as it is not, it ain't. That's reasoning" (Carroll 114). The recitation of the nursery rhyme about the two has predictive power in Looking-glass world.

Words seem to initiate their battle preparations, as though Tweedledum and Tweedledee are predestined by the rhymes she recites, similar to the White Queen showing Alice she remembers "things that happen week after next" (Carroll 126). The foretold actions and feelings of Tweedledee and Tweedledum demonstrate that dialect can have real power and influence, a message reiterated by the fight of the Lion and the Unicorn.

Lewis Carroll's relatively absurd destabilization of vocabulary has the ability to comment on terms in population in a unique and simplistic manner. This is exhibited with great decrease and admirable form while discovering Carroll's hilarious characters and situations run a continuous discourse on the nature and likelihood of dialect. He creates a duality in his treatment of dialect in Alice's Escapades in Wonderland and With the Looking Cup. By splitting words from meanings and names from individuals, Carroll implies an emptiness of content. However, he also infuses vocabulary with the energy to generate real results and words with capacity to have several meanings. Terminology, like life, can aggravate and confuse, but it also contains alternatives that moves unrecognized everyday.

http://www. suite101. com/content/properties-of-language-alices-adventures-in-wonderland-a229304

In final result Carroll's wonderland charters (all adults) "are complete mockeries of the adults that Victorian children was required to obey. "(Hayes, 2) They show the ignorance and absurdity of their time. Yet Carroll will show an email of hope. At the end of the first publication Alice stands up and expresses her emotions that the complete trial is nonsense and that the "soldiers" were simply a pack of cards. In the next book Alice, sick of the chaos and misunderstandings, summons the courage to struggle the Red Queen. With these two accomplishments Alice breaks "the spell of the domineering, repressive authority figures"(Makinen, 2) and gives hope that in reality this could also be possible.

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Meaning, corresponding to Humpty Dumpty: 'We've experienced enough of this subject, and it might be just as well if you speak about what you mean to do next, as I suppose you don't signify to stop here all the rest of your life. '

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