Table of Details (Hop to)
- Introduction
- Analysis
- Climatic condition
- Architectural theory
- Clients
- Culture
- Materials
- Discussion
- Conclusion
- References
- Book resources
- Internet resources
- Introduction:
The reason for indicting this particular essay is to comprehend architecture via vocabulary especially in term of vocabulary, grammatical composition; both physical and intellectual. Through certain design, it carries concept and communicates meanings.
Rafiq Azam have been chosen as the mark of evaluation of home and structures. Muhammad Rafiq Azam can be an award-winning architect. He's also a internationally acclaimed architect of vernacular structures from Bangladesh.
Shatotto is an architectural studio led by Rafiq Azam, which specialised in architectural aesthetics motivated by lush, riverine landscape of Bengal delta, and traditional architecture history of particular region.
South Water Garden is a project by Shatotto that was being performed by Shatotto under the business lead of Rafiq Azam. It had been a flat building project which located at US Highway, Baridhara diplomatic zone, Dhaka, Bangladesh. It is a region very little an exemption in term of inexperienced. A lake and a small strip of green patch on the western world of the story is a fortune. The built section of particular project is approximately 33600 square legs and have been cost about 576000 US buck. The particular project was had by South Air flow Housing and have been completed in 2007.
- Analysis:
In analyzing and theorizing the southern drinking water garden imbued architecture quality in term of climatic condition, structures theory and factors of customer, culture and material as well, the examination depicted that:
- In term of climatic condition:
Apparently, Dhaka undergoes a dramatically scorching weather, which characterized as moist, hot and humid local climate as it's been grouped under koppen weather classification. Dhaka has been motivated as it possess of exotic savanna climate as well. Furthermore, this city also offers a distinct monsoonal season. To be able to design a reactive building, Rafiq Azam needed to take accounts into Dhaka's climatic conditions as idea. To start with, the orientation of creating sun testing faade in response to climatic condition of Dhaka is necessarily required in order to reach the standard thermal comfort level in accord to human comfort. Via the analyzing of South water Garden properties' plan orientation and building settings as well, it was naturally to recognized and figured out that Rafiq Azam's purpose on setting up a parallel settings. Via the particular array and permutations, the parallel particular building's blocks have a tendency to act as defensive screen in against to immediate exposure to summer time solstice and winter solstice during the noon. Conclusively, the southern stop aids to shade the northern stop during the winter solstice, in in contrast, the northern stop supports to shelter southern stop during summertime solstice. The incorporation of 2 hundred square foot of inexperienced patch in front of the building on the east highway and usage of large tree and lake on the west as air conditioning device for the apartment properties create a well-balanced interrelation with building construction in opposing the unstable climatic conditions of Dhaka. Simple interior is linked to beautiful lake and large trees on the western, enabling the south east summer breeze flowing via the entire house. After that, the goal of particular parallel blocks also allows itself to attain optimal light thickness for residents' daily activities. Therefore, sun journey effects have been considered as mainly factor as it added much affects on building's comfortability to reside. Strategies of Orifice thought in response to prevailing breeze and summer breeze is also a mean to accomplish optimal cross ventilation in order to satisfy the human comfort level. The south east and east prevailing breeze flow through the house, concurrently drifting away heat that gained inside the apartment aid to make a comfy atmosphere inside the apartment buildings.
- In term of architectural theory:
South Normal water Garden was created predicated on phenomenological architecture. Primary, looking deep into Dhaka geographical situation as the land characterized with tropical vegetation and damp soils in the mostly was becoming destructed as these all were changed by development of multi-storeys building and other real house improvements. Traffic congestion and commercial waste has drastically resulted the deteriorating of air and water pollution. Hence, the regional biodiversity was being demolished. The opposing current facet of philosophy create tendency of creating renewable to be able to conserving extinction of computer stimulates local architects to use step into phenomenological architecture especially Rafiq Azam.
In respond to the particular environment's situation, an intention of retention among the list of inexperienced and originality of Dhaka's elemental real human encounters, natural features were incorporating in to the South Water Garden design to be able to make a building design which is concretely thought as "the area" Dhaka, as well as the South Normal water Garden residents' experiences among Dhaka's originality coincidentally happen in the building. In floor floor plan, Rafiq Azam organized interior spots in a straightforward functional way in order to focus on on the connectivity between building interior and outside. By achieving this, he's skillfully utilizing natural elements such as lake and large trees on the western as change space that steadily emanating to the surrounding. In contrary, this problem facilitated particular permutation and preparations of design maneuvering away from abstractions of research and its neutral objectivity as well. In theorizing Rafiq's structures via analyzing of South Water Garden roofing plan, the imbued intent of connectivity between roofing and ground is being emphasized through both rooftop tops design of South Drinking water Garden. Incorporation of renewable living at rooftop tops is to respond natural elements of rear story. The continuity of rooftop tops green to west earth natural features improves the interrelation of both which in turn established a strong connectivity among them. After that, the both rooftop tops of the apartment buildings were created in a way that evidently displays the grade of human experience of green living as the community green of rooftop tops which encompassing lawns and bushes subtlety embracing the residents into a sense of Mother Nature. A little pavilion was located poetically at the midst of renewable community which produced a strong desire toward the nature. This program then transformed into a subtropical architectural vocabulary which addressing Rafiq Aza's matter on shortage of green space in Dhaka.
- In term of clients
Rafiq Azam have been assigned to work with a location of seven thousand five hundred square feet story. This was a task that formed through the offer between landowner and developer. They both decided to separate the land in an equal two portions respectively to construct two six storied structures of two thousand eight hundred rectangular feet floor area each in order to share evenly each. In looking deep into this specific condition, Rafiq Azam's awareness on requirement that insisted by the customers also influenced a lot of the design. The customers insisted to place the look into challenging in terms of fabricating open renewable space. In react to client's requirement, Rafiq Azam suggested to adopt forty square foot over seven thousand five hundred square legs from the storyline impartially which putting along with eight foot space of two building respectively, five ft road problem as per rule in order to create a two hundred square feet of inexperienced patch before the building on the east road. That is quite emphasizing of immediate residents' experience toward the structures as well as the intimacy of natural elements with the users had been created.
- In term of culture:
The richest heritage is developed in neighboring region and smaller developed civilization, as South Normal water Garden which is situated at US Highway, Baridhara diplomatic zone. In response to the condition, the set up of South Drinking water Garden without boundary wall idea delivers a more friendly methodology toward the local residents. Little pews are placed which shipped a token of respect for pedestrians and community living around. The creation of small pavilion on the top tops allows gatherings and roofing party to be took place among a nearby, which cordially use the building words co-relation to attain a hormonal atmosphere amidst the surroundings.
- In term of materials:
Major structures in Dhaka, Bangladesh got used brick and concrete as structure materials as they are the most reactive materials to Dhaka's subtropical local climate. In response to bordering context, uncovered brick and concrete are majorly being utilized as building materials in South Water Garden Apartment. In addition, the utilization of revealed as cast structural beam and column external surfaces with terracotta brick in fill is also a procedure for subtropical climate of Dhaka that being supposed by Rafiq Azam. The selection of materials is quite attentive to human comfort and ease.
- Discussion:
Rafiq Azam architecture is quite predicated on experience of space and sensory properties of building materials. This may as a consequence to his child years experience. By acknowledging that most of the architectural production in Dhaka are dominated on quantitative which motivated by profitable motives, he understood that a lot of architect's keen of sensibility towards a sociable, ecological and conceptual content is reduced. Growing up in a city which is too much illustrates segregation of specific architecture as one building in a schmooze of materials such as wine glass, metal, and concrete, there are probably no effort in pondering much, especially ways of creating an urban which ensemble of varied kinds of areas, which from private to communal, and from hard to green conditions. It had been no hard to imagine that with all types of structures and spatial preparations coming out of a calculus of market dynamics and lent style of architecture. This totally constricted the architects until only left with the privilege of addressing buildings with windows. Additionally, Bangladesh has a distinctive relationship with normal water, and their sensibilities to its bounty and destruction are a tangible area of the countrywide psyche. The Bangla axiom "paanir opor naam jion" (water is another life) aptly display this psychological structures and the determinative influences of the greater than fifty trans-boundary rivers between India and Myanmar, with almost all their hydrological, social, economic, and politics ramifications. With Azam's strong impression towards all the impact in his childhood, little surprise then that normal water bodies are a continuous architectural features for Rafiq Azam which is offering the unrestricted and exposure kind of feelings towards the complete city. And his need to "revitalize nostalgia" is as ubiquitous in his designs as the water itself in Bangladesh. In his architectural theory, his building is not compendious as the locality, in in contrast; it ought to be encompassing of local concretely characteristics or atmosphere which being illustrated via the use of material chemicals, shape, surface, and color. For circumstances, the use of cast structural beam and column outside with terracotta brick in fill is simple way of procedure toward subtropical climate of Dhaka as well as the materiality of seductive locality activities. The thought of real human sensory experiences of creating materials is actually demonstrated through the human comfort replies' design. In the means of creating spots, Rafiq Azam allows certain areas with indistinguishable functions to embody another architectural quality in accord with the neighborhood unique characteristics in term of culture and environment conditions. For situations, the neighborhood gathering culture had been designed into South Normal water Garden's roofing tops design as the roof pavilion had been created for roof structure top party. Rafiq Azam makes an attempt to apply his architecture return to things, in some way maneuvering from abstractions of science and its natural objectivity. By achieving this, he will try to make things priory happens to be conveys it unique conversations with its place the relevant subject matter. His design then becomes pay out of different scales in contrasting with surrounding other components. The paths between these eventually create the Rafiq's design become extra defining characteristics of place. The distinction between these conditions offers him the step toward the phenomenological approach. For occasions, the emphasis of connectivity inside and outside by Rafiq has been vividly demonstrated via the South Normal water Garden's design. Both of the rooftop tops were created as community green which forms a connection between roof and earth.
- Conclusion
- References
- Book resources
- Rosa M. F. , Kazi K. A. & Philip Goad. (2013). Rafiq Azam - Structures for Green Living. Italy: Skira editore S. p. A.
- Internet Resources
- http://www. architecturenewsplus. com/projects/2218
- http://archpresspk. com/new-version/Rafiq-azam-book. html
- http://www. worldarchitecture. org/main/winners. asp?winarchive=11thcycle&cyc=11
- http://archpresspk. com/new-version/architect-rafiq-azam-interview. html
