Grenouille is born amidst filth in Paris, the avenues "stank of manure, the stench of costic Iyes from the tanneries". He is turned down by his mom at delivery who, by reducing of the "umbilical cable with her gutting knife, " disassociates and distances herself from him permanently. Unlike her four still births who she left to pass away, however, Grenouille survived and changed into a serial killer. This youth stress of abandonment and abuse and the grotesque manner in which the mother actually leaves Grenouille to fend for himself in the "foetid odour of burnt pet horn" evokes pity and sympathy for the baby. These smells create an atmosphere and prepare us for what has yet to come. He's empty on the steps associated with an orphanage where in fact the other children try to smother him to death but "he survived the measles, rooster pox, a twenty ft. fallw into a proper and a scalding with boiling water poured over his chest" which left him with a "slightly crippled foot" and a limp "but he lived. " Any other child confronted with such distressing experience with no care and attention of a mother's ambiance could have breathed his previous, however, not Grenouille.
'The House of the Spirits' by Isabelle Alende is a enchanting effort depicting sociable upheaval and politics turmoil in Chile, a volatile country in Latin America. Esteban Trueba belongs to that minority of cultural and financial elite course which manages the fortunes of almost all: peasants and laborers. He is born of the union between his wealthy mom Dona Ester Trueba and a "best for nothing at all immigrant"  dad who squanders all the amount of money to leave his children in utter penury. Esteban is, like Grenouille, deprived of the warm, caring touch of his mom although reasons are different. She was "immobile in her seat" and "was put back to her bed, propped up in the half sitting position that was the only one her arthritis allowed. " Esteban thus has a hard childhood. "His have been a years as a child of privations, distress, harshness, interminable night-time rosaries, dread, and guilt. " 
In 'Perfume', Grenouille commits his first murder inadvertently to "capture" the smell of a young virgin. We live revolted at such senseless killing but also perplexed because he will not ravish the girl. However, Grenouille became aware that the "meaning and goal and reason for his life experienced a higher destiny: nothing less than to revolutionize the odiferous world. "  "A murder had been start of his splendor. If he was in any way aware of the actual fact, it was a matter of total indifference to him. " Later, when he begs Baldini to provide him work we want him to succeed even though we hope that he fails. In his ruthless killing of young girls in the pursuit of a distilled, clean scent, we are morbidly fascinated by the vials of perfume. Our company is changed by Grenouille's desperation and his dependence on acceptance for which he'd go to any size. At the end of his home enforced hibernation, he realizes that 'only one odour had not been there-his own odour', 'a scream as dreadful and loud as though he were being used up alive' came out of him. Since Grenouille decides personality through smell and the actual fact that he cannot smell himself brings him the realization that he does not have an personal information. He experiences worries of not knowing anything about himself. The reader recognizes and sympathizes with the insecurity that Grenouille possesses, because he has no odour and thus he's an outcast in culture.
Similarly, Esteban is savage and barbaric in Tres Marias "tumbling girls on the rushes of the riverbanksowing the entire region along with his bastard offspring. " However, Tres Marias demonstrates the rule alternatively than an exception to exploitation of the lower classes by the top category and Esteban is only living his role- "he could tolerate no opposition; he seen the slightest disagreement as a provocation. "  "The peasants had not heard about unions, or Sundays off, or the minimum pay. "  Atrocities were determined against the people as torture, beatings, and rape were common practice. Esteban Trueba's rape of Pancha Garca is a representation of the exploitation of the peasant classes by top of the classes. Thus, Esteban provides as a metaphor for all your ills afflicting the society in those days.
Both books follow the tradition of bildungsroman: the protagonists suffer an emotional damage in the very beginning of the story and both feature their quest through life, issues between them and contemporary society and their steely determination to stand out and follow the road they have charted for themselves. Grenouille is motivated, excessively enthusiastic about the idea of perfecting the best perfume. We admire his passion, his frantic rate of hurrying against time and energy to show something to himself that he suffers tiny cramped living quarters, surviving on bare minimum food and winning the fight against life threatening 'syphilitic small pox'.
In 'The House of the spirits' Esteban Trueba's cruel treatment of his wife, daughter, and feminine workers presents Allende's depiction of females as intimate objects. But despite the fact that Esteban rapes, pillages, kills and conspires, he never entirely manages to lose the reader's sympathy. It really is a remarkable achievement to make him lovable not merely to his partner, little girl, and granddaughter, and the other ladies in his life, but also to the reader. That is done through the third tone of voice that belongs to Esteban Trueba, whose first person accounts serve to express either his extreme interest or his severe hurting. "I'm the patron here now. " Esteban is a complicated personality as his words would disclose. Acquired these words not been there, we would have summarily dismissed him as a fiendish rogue. Despite his hatred of peasants, Esteban is influenced by a desire to have the attention and affection of others. Getting close death however, he begins to start to see the negative benefits of his violent, selfish activities and becomes progressively more alert to how lonely he's.
The gore starts early in 'The House of the Spirits' with Clara witnessing the autopsy of her sister and the associate ravaging her corpse. When Nivea meets with a major accident and her brain is split from her body and disposed of, we are horrified, a feeling that deepens when the top is helped bring and positioned in the basement of the house. These gory images coupled with a matter of known fact build to bring forth the massacre, violence and Alba's captivity through the coup help to spotlight that individuals and situations are mirrors of the clash and turmoil in Chile at that time.
We respond to the tragic and repulsive character of the regrettable Grenouille with a certain amount of horror and pity. Grenouille's mastery at creating an unmatched perfume is not overshadowed by the mass orgy that he evokes on dousing himself with this perfume created from the skin of virgins. It is ironic that 'each man, each girl, in the hands of the tiny man in the blue frock overcoat for better or worse liked him. ' Ironic also as a result of terror instilled by the murders that gone into the making of the fragrance. He does not wipe out others for pleasure, but to obtain their scent. For this reason his victims were only the ones who Grenouille thought got extraordinary scents. Because the reader has learned that scent presents identity it could be said that Grenouille's purpose for murdering his victims is to acquire an individuality.
Suskind and Alende's writing techniques are also distinctive in the way they use phrases and imagery to make violent and grotesque explanations reasonable and repulsive. "They drove their claws and tooth into his flesh, they attacked him like hyenas" and "Esteban used a tiny suede tote in it were his wife's false teeth, which he cared for as a token of all the best and expiation" Through these techniques, we live drawn in to the world of Grenouille and Esteban.
To sum up, both the personas chart unconventional paths replete with horror to carve an individuality for themselves but they have reasons for their actions- Grenouille is looking for an identification that he lacks while Esteban is merely doing what his place in society of this time required and therefore, we do not despise them regardless of the atrocious functions they commit.