Eisentein express montage is one of the editing style of discontinuity in visual qualities which means how the filmmakers combine together all the several shots sizes in various camera angle by using the editing collection with the make of powerful narrative.
"Eisenstein placed that proper film continuity should not continue smoothly, but through some shocks. Whenever you can, he attempted to create some kind of visual conflict or discontinuity between two photos with the purpose of developing a jolt in the spectator's psyche. The visible explosions on the display were intended to develop a continual source of stimulants or shocks to keepthe audience huge awake. " "The dynamics of montage serve as impulses generating forward the full total film", Eisentein composed.
Juxtaposition of shots of high visible contrast will generate conflict in story. Besides, soviet montage can also create the dramatic impact that will broke all the rules of smooth, unseen editing of the Traditional Hollywood style. As the effect, this theory can make sure the visual could create the impact esspecialy to manipulate feeling of the viewers. This is because by using the strategy of juxtaposed the shot, different field or situation can be shown at the same time and at the different location. Sometime juxtaposed could become as a cross-cutting.
In the film Perempuan, Isteri dan. . . . . which aimed by U-Wei Hj Shaari is one of the film that can be classify as the film that been using soviet montage theory in their editing. This theory that being used in their editing can be verify by looking at the landscape A that your identity of the hubby ensemble by Nasir Bilal Khan was repairing the tyre of his lorry that explodes and swapping the tyre by using the spare tyre. Whereas in the arena B, the type of the better half cast by Sofia Jane were in the bush appears like doing something with another man. In the visual we could see the trimming point of the this two displays actually happen in once but seperate location. We can note that through the editing technic, this film has manipulated audience's feeling.
Realism is another technic of editing and enhancing which being started by Andre Bazin. He was one of the influential French film critic and film theorist. In his perspective that film should make an effort to view what is just related to reality because for him when watching a movie or a film we as the audiences should be shown the truth of the world. Exactly like he said, he depicted that what he observed as 'objective truth'. We are able to see what is this is of 'aim reality' is just identical to documentaries and Italian-Neorealism institution that your directors are usually invisible just like Howard Hawk. Besides, Bazin also have started and grow the meaning and the uses of deep focus, extensive shot and the technic of shot-in-depth. Within this age of Bazin theory of realism which being used by a few of the directors such as Orson Welles and Jean Renoir are usually described 'true continuity' that we can easily see through mise-en-scene which done by doing tests in the editing process and visible effects. Through Bazin's theory, he try to emphasize how the cinema actually change reality.
Concerntrate more on objective simple fact, lack of montage and the using of profound concentrate are related to interpretation of the film or a scene that needs to be kept to the spectator. This is to make certain that all of individuals in the communities that enjoying the movie, understand and try to feel what's the director seeking to share and tells the viewers through his film. Bazin also think that film actually signify personal vision's of the director which known as personalism. Furthermore, Bazin also called 'appreciative criticism'.
Film which directed by arwah Yasmin Ahmad usually used the theory of Andre Bazin. In her film we can see that how he make an effort to potray the reality in our real life and the truth that people see in the film through the lense of the camera looks like what we should see and facing in the true life. As the example we can easily see through the film that aimed by arwah Yasmin Ahmad 'Mukhsin' in the field where the main figure Mukhsin was thinking that he's soaring when he relaxing at the bench nearby the paddy field. Because of this world, arwah Yasmin using a long try view the wonder of the paddy field and also she make an effort to show how long actually we as a man will take whenever we are fantasizing and at the same time actually we envision anything that may be we cannot do inside our true to life. Another example we can see in the film 'Gubra' regarding to the world that presents long take of an kampung's house. This technique such for as long take being finished with its own reason which the meaning is about showing the panoramic view of the house and the kampung. Realism is approximately less editing in the film which is focusing more on practical aesthetic in film.
