Themes Of Responsibility And Abandonment English Literature Essay

Family, central to the upbringing of children, is in charge of the socialization and the well-being of future generations. The designs of family responsibility and abandonment play a huge role in Mary Shelly's novel Frankenstein, specifically in regards to Victor's relationship with his creation. Within these styles of responsibility and abandonment are is the notions of children, family, and parental duties, which were important within the family device during the seventeenth, eighteenth and nineteenth hundreds of years. In these schedules, the family functioned as both a interpersonal and economic product, sometimes, however, taking precedence of children's well-being as abandonment, neglect and emotional detachment were common techniques and experience within the family. Freud, a well-known psychoanalyst, portrayed opinions in regard to family functioning and childhood development. The manner in which households cared for children within the framework of the family product and within civilization would be of particular interest of Freud, as he loved analyzing society from a target, third-party point of view.

Mary Shelley's book Frankenstein deals with many different designs and transgressions. One principal transgression is one of abandonment. Pulling from the idea of Victor's abandonment of his creation, is the idea of children, family, and parental obligations. In the book, Victor Frankenstein pieces out to explore experimental and questionable scientific principles to be able to try and create a new kind of being. His scientific experiment is a success when he creates a composite creature of varied real human parts. Victor's seek out vitality and his strong sense of ego is largely a theme on the novel. On the other hand, however, so is exploration, of both Victor and the creature itself-posing important questions of responsibility and consequence. When Victor feels repulsion towards his own creations, his pride causes him to give up his monster "child. " The regrettable consequence of leaving his monster to fend for itself is a high price to be paid by both Victor and population. The family, central to the upbringing of children, is responsible for the socialization of future years.

It could be suggested that Victor would have been wise to model his parental responsibilities after those of his own parents. His parents exhibited a higher degree of devotion to him and his siblings. Inside the novel, Victor is pleased with his father's job in the general public sector which he's noted as having efficiently satisfied with "honor and reputation" (pg. 33). He cared for his partner well and worked hard to shelter her. Victor talks about to Walton that "every hour of my child life I received a lessons of patient, of charity, and of self-control. . . " (pg. 35). Victor is even quoted in the book as stating, "No human being could have passed a happier years as a child than myself" (pg. 39). Victor, regrettably, fails to realize his responsibility and obligation toward his own creation, the consequences of this problem are nothing in short supply of some tragedies.

Although his youth was blissful, he explains to Walton that he had a violent temper at times, as well as vehement passions, that "by some rules in [his] temps, they were transformed not towards childish pursuits but to an excited wish to learn all things indiscriminately" (pg. 39). Despite Victor's confessions regarding his own mother nature, for some reason Walton continues to see him as a good person. About Victor, Walton says, "what quality [is it] which he offers, that enhanced him so immeasurably above another person I ever before knew. I thought it to be an intuitive discernment; a quick but never-failing ability of view" (pg. 30). On the other hand, his personality is recognized by the monster through his view of Victor as only a cold inventor and an unloving abandoner. Comparing Victor to God and himself to Adam, the monster says, "Many times I have considered Satan as the fitter emblem of my condition" (pg. 132). The monster also describes his perspective of his "birth" and immediately after, his fleeing from the apartment. The creature was initially very lost. The originator recounts: "I thought light, and food cravings, and thirst, and darkness: countless sounds rang in my ears, and on all factors various scents saluted me" (pg. 106). The reader experiences a sense of empathy for the monster, especially in regard to when he perceives his own representation in a pool of water. "Initially I started again, unable to believe it was indeed I who was mirrored in the reflection; and when I became fully convinced that I was in reality the monster which i am, I was filled with the bittersweet feelings of despondence and mortification" (pg. 116). Victor created a monster and kept it to fend for itself in a world where he will not belong, and it is therefore Victor who's accountable for the misery and therefore the evilness of his own creation. Furthermore, the monster's awareness of his own disconnect that exists between himself and the rest of the world becomes clear in this offer. He knows he is being excluded, and despite being considered hideous, he's intelligent and looks for approval, but is declined first by his inventor, and again by the peasant family, who he learns to speak and connect to people from observing. However when the monster approaches the peasant family, longing for friendship, they conquer him and chase him away. Not merely does the monster become cognizant of his own "ugliness" in the novel, but when others are also terrified incidentally the creature looks, it triggers him to feel even more discouraged and dejected.

Victor's cautionary story is distributed to Captain Walton, whose vessel rescues him as he chases his creature over Arctic waters. When Walton explains to Victor that he looks for the type of knowledge that the death of one man is a small price to pay for the acquirement of, Victor explains to Walton, "You look for knowledge and intelligence, when i once performed; and I ardently hope that the gratification for your desires may not be a serpent to sting you, as mine has been" (pg. 31). Even though it was too past due for Victor himself to take advantage of the lesson he discovered, he wanted to go his learning on to someone else. Too late to be a good example, Victor intends to pass on a caution to Walton.

For most of the seventeenth and eighteenth ages, the family functioned as both a interpersonal and economic device. Sometimes the financial unit, however, took precedence over well-being of the children. For example, every section of the family was considered very important to production and ingestion. Thus, children were often directed away to make money for their families, sometimes to different homeowners. Not merely were children not the center of the family, nevertheless they also weren't the guts of the family's concern. Women were often subordinate to men as ladies were less appreciated within the family unit than young ladies were. In this time around, attitudes towards children and child-rearing were very different. "Infanticide, though illegal, was not unknown, abandonment was a common practice, and what we'd consider overlook was more often the guideline than the exception" (Sullivan, pg. 410). A high child mortality rate was to blame for a lot of this behavior. Children who survived were viewed simply as property or liability; observed in terms of a cost/benefit analysis. This level of psychological detachment was quite common. "With life so precarious for their children, any great mental engagement with them was risky" (Sullivan, pg. 410).

With a lack psychological attachment towards children, in conjunction with parental neglect and abandonment of children, the welfare of children and family members was positioned on the backburner in lieu of commercial progress that had been made within this time period. Children were sometimes made to work in factories, executing tasks which were suited for the small structures and hands of children. It had been not uncommon for kids to become seriously wounded while on the job and then quickly substituted with another child, without attachment, nor medical or financial reimbursement. Respect for individuals life and dignity was susceptible to progress and progress. Luckily, significant and long-lasting positive changes occurred in the family during the nineteenth century. People became more tied together by mental bonds and family models became more child-centered throughout time. Women got fewer children, and they were much more likely to survive. In fact, middle income children were no longer seen as equally asset, but instead "as a fulfilling 'product' of the good home" (Sullivan, pg. 523).

Psycho-analytic theories regarding youth were developed by Sigmund Freud. Freud is a famous psycholoanalyst and an extremely important thinker in the 20th century. Freud, who's most widely known for his ideas on repression and the unconscious head, is also known for writing "Civilization and It's Discontents. " Written in 1929 and first released in 1930 as Das Unbehagen in der Kultur, indicating "The Uneasiness in Culture. " Civilization and it's really Discontents is both one of his most important, & most widely read books. In his book, Freud emphasized the centrality of child years in developing personality, and discusses the different periods of development and the effect that childhood activities have on adulthood. According to Freud, it is the first five many years of a child's life that are the most crucial in forming personality, and it is usually at the age of five a human beings figure has produced and cannot be subsequently transformed.

In respect to the theme of parental abandonment in Mary Shelly's Frankenstein, and the normal practices of overlook and abandonment on children during the seventeenth and eighteenth generations, Sigmund Freud would probably have an opinion on these techniques in regard to family functioning and childhood development. "The past, but definitely not minimal important, of the quality features of civilization remains to be evaluated: the manner in which the connections of man to one another, their social interactions, are controlled- relationships which have an effect on a person as a neighbor, as a way to obtain help, as someone else's sexual subject, as an associate of the family and of a State" (pg. 48). The manner in which households cared for children within the framework of the family device and within civilization would be of particular interest of Freud, who would enjoy analyzing these associations from an objective, third-party perspective. In fact, Freud is commenting on the nature of the family romance as a "source of help. . . as an associate of the family" (pg. 48). Children have a specific demand on them to be always a way to obtain help, that was particularly true of offspring during the seventeenth and eighteenth hundreds of years. The demands reflect what's "civilized generally" (pg. 48).

In respect to parent's marriage using their children, "the relationships would be subject to the arbitrary will of the individual: in other words, the physically more robust man would determine them in the sense of his own pursuits and instinctual impulses" (pg. 48). Parents, as the larger and more robust beings within parent-child relationships do, in reality, exert a high degree of control over their children, much like in the conditions on the seventeenth and eighteenth ages, where the role of children either as something to be empty, or put to work to earn a living for the family, was directly affected by the needs of the parents, the success of the family, and the needs culture located on the family product in terms of subsistence habits and working conditions. During this time, many households were living at merely subsistence levels and acquired no choice but to have with poor working conditions, including adding small children to work in dangerous jobs.

The themes or templates of responsibility and abandonment are essential in Mary Shelly's Frankenstein as well as during the seventeenth to the nineteenth centuries in particular. Within these designs of responsibility and abandonment are is the notions of children, family, and parental duties, which would be of particular interest to Freud who shared opinions on family functioning and childhood development. Family tasks were clear during the seventeenth, eighteenth and nineteenth ages- roles for the intended purpose of survival, and dictated by the parent's needs. In Frankenstein, the amount of romantic relationship that Victor Frankenstein assumed along with his creation was dictated by his own private interest, leading him to leave his creation to fend for himself. Also, Victor's decision of if to accept adequate responsibility for his own "monster child" is determined again by selfish wants and ends in the monster's failure to create healthy human relationships with people, resulting in Victor's creation eventually assuming unhealthy coping mechanisms, instead of human-like attachment. Some of these poor coping mechanisms include stalking, dangers, and eradicating people.

Work Cited

Freud, Sigmund. Civilization and its own Discontents. Ed. James Strachey and Peter Gay. New York:

W. W. Norton, 1989. Print.

Shelley, Mary Wollstonecraft. Frankenstein. Ed. Maurice Hindle. London: Penguin, 2003. Print. Sullivan, Richard E. , Dennis Sherman, and John Baugham. Harrison. A BRIEF HISTORY of Western

Civilization. New York: McGraw-Hill, 1994. Printing.

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