The A glass Menagerie can be an autobiographical play of Tennessee Williams that helped bring him his first great success. The prototype of Wingfield family was the Williams's own family theatre: a tight father, quick-tempered mom and sister Rose, who suffered with depression. Depicting the main personality Tom Wingfield, the author depicts himself. Tom is an ambiguous, controversial character, which changes during the period of the play which reality makes the play even more interesting.
Speaking about the primary personality of the "The Glass Menagerie", first it is better to see the story of the play. It can help to comprehend the circumstances of the situation, events influencing the action of the protagonist and the forming of his personality. Thus, studying the storyline itself, we ought to start be mentioning that in its fact it is just a memory. Tom Wingfield explains to of the time - between your wars - when he has lived in St. Louis with his mother Amanda Wingfield - a female, endowed with an enormous zest forever, but not focusing on how to adjust to today's time and desperately clinging to the past, and his sister Laura - dreamer who got undergone a serious health issues in the child years, and one lower leg remained slightly shorter than the other one. Tom himself, a poet in mind, did the trick in a shoe shop and suffered, being employed in hateful job. In the evenings he was listening to endless reviews about her mother's life in the South, about the still left followers and other real and imaginary victories (Smith 2011).
Amanda was eagerly waiting for the success of her children: campaign of Tom and Laura's beneficial marriage. She did not want to observe how her kid hated his job and exactly how timid and unfriendly her little princess was. Mother's try to make to send Laura to typewriting training crashed - because of fear and nervous pressure girl's hands were shaking, so she couldn't hit the right tips. She noticed well only at home when she was active with her assortment of little glass pets or animals. After the failing of Amanda's lessons, Laura acquired even more fixate on the idea of her daughter's matrimony. At exactly the same time she was trying to influence her son, trying to regulate his reading: she was persuaded that the books of Lawrence - the favorite author of her boy were too grubby. Amanda didn't like Tom's habit to spend almost every free night time in the cinema. For him, these travels were a way to get away from the monotonous schedule, the only store - exactly like a glass menagerie for his sister (Tarigan 2010).
One day Tom's guaranteed Amanda to bring home and expose Laura to some decent young man. Tom invited to the supper his colleague, Jim O'Connor, the only real person in the shop with whom he was on friendly terms. Laura and Jim visited the same college, but for Jim's shock she were Tom's sister. Laura, when she was a schoolgirl, was deeply in love with Jim, who was simply always in the limelight - starred in hockey, led the discourse membership, sang in institution productions. For Laura, seeing again this prince of her girlish goal was a genuine distress. When shaking hands with him, she almost lost awareness and quickly hid in her room. Soon, under the pretext, Amanda sent Jim to her. The son did not identify Laura, and she had to show him that they had been familiar. Jim barely remembered the lady whom he provided the nickname Blue Rose. That nice friendly young man did not flourish in life, as he previously promised during his school years. But he did not give up hope and extended to make plans. Laura slowly but surely calmed down, sincere worried tone of Jim removed her nervousness, and she steadily began to speak with him as with a longtime friend (King 1973).
Jim observed that the lady possessed many complexes. He tried to help ensuring that her lameness had not been evident - nobody at school even pointed out that she was wearing special shoes. He tried to explain that people weren't evil, especially when you understood them better, and that she had to avoid thinking that she was the worst. In his view, the main problem of Laura was that she drove into her brain that everything was bad.
Laura asked about the girl whom Jim experienced dated in institution because people said they were engaged. Laura was happy to hear that there had been no wedding. She received a wish. She exhibited Jim her assortment of cup figurines - the best mark of self confidence. Among the tiny animals Jim noticed a unicorn - an extinct pet animal, nobody else was enjoy it. Jim immediately drew focus on it. It had been probably boring for this to stand over a shelf with mediocre pets such as a glass horses.
They listened to the audio of waltz from the restaurant through the wide open window. Jim asked Laura to boogie, she refused fearing to step on his lower leg. "But I'm not made of wine glass, " - Jim said with fun (Bloom 2007). Through the boogie they ran into a table, and the unicorn fell. It became exactly like all: his horn was shattered. Jim said Laura that she was an extraordinary girl, unlike other people - just like her unicorn. She was beautiful, she got a sense of humor. There was one in one thousand like her, the Blue Rose. Jim kissed Laura. However, she misinterpreted the movements of the soul of young man: a kiss was simply a sign of the tender good care of Jim about the fate of the lady and an attempt to get her to believe in herself
However, witnessing the result of Laura, Jim frightened and announced that he had a fiancee. He unfortunate that Laura was required to think that she also would be happy, she only needed to get over their complexes. Jim extended to utter typical platitudes like "man - the grasp of his fate, " etc. , without noticing that Laura there was the appearance of infinite sadness on her behalf face. She gave Jim the unicorn - in recollection about that evening, and about her.
When Amanda arrived in the room, she was almost sure the groom was on the hook. However, Jim was in a hurry, he needed to meet his bride-to-be at the station and left. Immediately after he was absent, Amanda began yelling at her boy for bringing a young man who was already dating another girl. For Tom, this scandal was the previous straw. He give up his job, left home and embarked on a quest. Within the epilogue, Tom said that he could never forget his sister: "I did so not know i was so devoted to you, that I could not betray you" (Bloom 2007). In his mind's eye there was a lovely image of Laura, blowing at her bedtime candle. "Goodbye, Laura" - said Tom regrettably (Rathbun 1990). This is one way the play ends.
Having summarized the play it became possible to understand the life span of the primary hero better, to learn about his persona, deeds, viewpoint, and life position etc. Analyzing Tom, it will probably be worth mentioning that Tom Wingfield operates as both a personality and narrator through the complete play. His great desire to see "adventure", his use of poetry as mean to get away from the issues of the true life, and his never disappearing sense of being limited by his own family all relate to personal experiences that visitors of the play might have in their lives. Tom Wingfield is in love with his family a lot and feels devoted to his mother and elder sister. Nevertheless, at exactly the same time, Amanda and Laura's incredible dependency on Tom as their security, security and profits could take in him.
As it was mentioned above, Tom Wingfield can be an aspiring poet who works in the Continental Shoemakers warehouse. He is the narrator of the play, therefore the action of the play is built by Tom's memory space. The main hero is in love with his mother and sister, but he feels uneasy at home. His family is determined by his wages and so long as he lives with them he realizes he can't ever have his own life. Every night, he disappears to "go directly to the films" (Fambrough 2005). Through out the play, Tom seems increasingly more imprisoned and his mother begins to sense his worrying emotions. She offers Tom a offer - when he detects a partner for his sister Laura, he is free to go. But Tom is fascinated by his own guilt for leave-taking and his own repressed anger for being put in the problem where his independence comes at the trouble of his personal rules.
Taking Tom as an individual character, it is seen that he is filled with contradiction. From the one aspect, he reads literature, writes poetry, and dreams of escape, adventure, and different higher things. From your other area, he seems inextricably connected to the squalid, trivial world of the Wingfield home. The reader is aware of that Tom reads D. H. Lawrence and facilitates, follows political advancements in European countries, but at the same time this content of his intellectual life is very difficult to distinguish. The reader is unaware of Tom's opinion about Lawrence, or what his poetry is about. The only things are known: what he considers his mom, sister, and his warehouse job. They are the key things that he dreams to flee.
Tom's feelings toward Amanda and Laura have puzzled critics. Although he definitely cares for them, he's sometimes indifferent and even cruel and lean toward both of these. His speech at the end of the play proves his strong emotions for Laura. Despite this, he meanly deserts her and Amanda, and the complete play it isn't seen that he behaves kindly or lovingly toward Laura, not even when he knocks down her glass menagerie. Most critics suppose that Tom's strange action shows an incestuous fascination to his sister and his shame about such attraction (Bluefarb 1963). This kind of theory allows understanding some certain occasions of the play-for example, when Tom and his Mother discuss Laura by the end of the fifth Landscape. Tom's claim that Laura is totally peculiar and can't make it through in the external world, while Amanda argues that Laura's strangeness is a positive quality, might have as much to do with his jealous desire to keep Laura for himself as with her own quirks.
At the start of the play Tom introduces himself as a narrator and explains to the whole story. He explains to about the nature of memory, the life span in 1930s, cup, and everything generally. He speaks waxes poetically. The storyline of Tom targets his desire to get away from out of town. He needs trip, excitement, new experiences, new people and new places - he wants everything he does not have working at the warehouse and living ordinary life at home. He is also inspired reader and a writer. The main persona considers his current situation as imprisonment, and his regular forays to get away are nearly as accidental as Laura similarity to her collection of goblet. Tom also uses the films in order at least for a short time experience vicariously what he would like to get in his own life. At the end of the play Tom finds out that he could remember Laura. He seems to feel guilty about having left her, but he says nothing about his mom! This makes the complete subject of Tom's discussion with both of these women. Despite the fact he can't understand the type of her hidden knowledge world, he dearly cares on her behalf, struck with guilt when he breaks her glass animals with his coat. The play also offers a concern of the lacking father. Tom often explains to that he is a lot like his father - prepared to leave the family and never come back. The storyplot has a great deal of discussible occasions and issues and Tom can be criticized on moral grounds for abandoning the family. Tom Wingfield evokes combined emotions, being truly a controversial character. The play "The Goblet Menagerie" was written a log time before, but nonetheless remains interesting and readable. It details many real and using issues.
