The aftereffect of death on differing people can vary greatly. Some might want to obtain pleasure from the nostalgic memories or a lost loved one, some could see loss of life as a reminder to love more, and some could even choose to avoid facing the tough truth that fatality presents.
Alice Walker, in "Poem at Thirty-Nine", tried out to explore the heat of any parental marriage. Judy Brunette, in "Daddy", attempted to uncover the same. "A Mom in a Refugee Camp" by Chinua Achebe exhibited how powerful a mother's love is in the face of death, which is similar to "Funeral Blues" by W. H. Auden. Christina Rossetti tried to use her poem "Remember" showing how exactly we could alleviate the reality of her death to her relatives and friends. The theme of "Don't dread loss of life" by Aleksandr Blok is similar.
All these poets have taken different perspectives on death, however, from all these poems, the poets all aware that death is unavoidable.
We all know that people cannot evade loss of life - the fatality of ourselves and our relatives, friends and so forth. Unless there are any special circumstances, we, as individuals, usually feel depressed after the loss of life of someone. Some of the level of dejection would depend on a number of factors, including the length of time you know that person, your romantic relationship with him etc. However, without the hesitation, the relationship between a mom and a child medicine most personal one.
In "A Mother in a Refugee Camp" by Chinua Achebe, the mother in the poem took good care of her boy. The son had not been yet passed on in the poem, but in a refugee camp, the child was starving. The scenery defined by Chinua Achebe was awful, with "odors of diarrhea". The tone found in the poem was filled with sadness and depressive disorder. To be able to underline the love of the mom in that awful camp, Chinua Achebe used different senses and simile to spell it out. For example, he used "rust-colored" to describe the scalp of the child, which is apparently irregular. Furthermore, the teeth of a mother towards her kid should be lovely. However, ironically, Chinua Achebe used, ironically, "a ghost-smile" to describe the "smile" of the "Mother". Inside the poem, Chinua Achebe also contrasted the mom in the poem with other mothers in the camp, which expresses that "Air was heavy with odors of diarrhea, of unwashed children with washed-out ribs and dried-up bottoms waddling in laboured steps behind blown-empty bellies. Other moms there possessed long ceased to worry, but not that one. " It demonstrates other mothers have previously given up their children after their beginning. The poem didn't actually state the details, but as one could reasonably visualize, the resources in the refugee camp would be limited. To be able to maintain life, most moms would choose to keep up their own life, somewhat than that of their children. But even in such an extreme unpleasant place, the mother referred to in the poem was different. Hence, it became the main topic of Chinua Achebe's poem. Despite the fact that I am not yet a father, I possibly could still, from the words used in the poem, feel how much love the mother in the refugee camp got towards her son, and exactly how much love she has directed at her son.
Upon doing research on the background of Chinua Achebe, the poem was written when Chinua Achebe accepted a question to provide as overseas ambassador in Africa. During his life, Chinua Achebe has travelled to many cities.
In the poem, Chinua Achebe did not status what his main purpose of writing this poem was. It might on one hand be identified that parental love was the main theme. However, predicated on the background of Chinua Achebe, the poem could also be viewed as exhibiting Chinua Achebe's dissatisfaction for the living standard of the individuals in Africa.
The sorrow of the loss of life of a close relative was also the theme of "Funeral Blues" by W. H. Auden. Comparable to Chinua Achebe, in "Funeral Blues", W. H. Auden appears to have a poor view towards death. In "Funeral Blues", W. H. Auden did not describe precisely as to who was perished. Research has been done on the background of W. H. Auden, and it was discovered the poem was actually referred to the fatality of W. H. Auden's daddy. The tone used in the poem is also rather pessimistic. The poem could actually be segregated into four parts. In the first section, W. H. Auden used different information to emphasize the sadness of the fatality. For instance, he used "a juicy bone" and a "muffled drum" to describe the enjoyments you can have before fatality. But after death, all enjoyments and communications were stopped. Within the next section, he began to show that nothing would be important after the fatality of this person. In the 3rd section, he proved how important that person to him. Through the poem, we're able to actually feel that person would actually mean everything to W. H. Auden. Within the last section, it proved how despair W. H. Auden was after the death of that person. The theme and reason for W. H. Auden in the poem was clear - to show how important the lifeless person was meant to him, and after his loss of life, he lost his own course.
A volume of terminology devices have been employed by W. H. Auden in the poem, such as repetition of "North, South, East and Western world", and the poem as a whole included more rhyme. As the subject of exaggeration, W. H. Auden defined his father was so important that he could occupy the poet's "working week" and also "Sunday rest". To me, the trump line of the poem was "I thought that love would last forever: but I was incorrect. " This word was indeed touching to show the torture one must proceed through for the fatality of an critical person in one's life.
After reading "Funeral Blues", it immediately induced me to think of my grandfather's funeral after i was about a decade old. I possibly could still keep in mind every arena in the funeral and exactly how sad I was in those days. I possibly could truly know how W. H. Auden felt when he faced the fatality of his daddy.
Not every poet was so pessimistic on fatality. A good example is Christina Rossetti. Christina Rossetti is an English poet and can be an Anglo-Catholic. Probably because of the influence of her religion and her life experience, in "Remember", Christina Rossetti proved her personal views how we have to face fatality - from sadness, to neglect and laugh. Christina Rossetti used a number of contrast in the poem showing the difference between your time immediately after the death of someone, at which it was filled with remembrances and sadness, and some time after the death, of which forgetting and teeth have began to replace the miseries of loss of life. The usage of "silent land" revealed the imagination of Christina Rossetti that the area that we follow our death is definitely not a place of horror. Christina Rossetti also used "darkness" and "problem" as metaphors to describe the present time of loss of life, which outlined her views that enough time instantaneously after her fatality would not be as depressing as the audience would think. The term "remember" has been used repeatedly for five times throughout the poem. Bear in mind the inactive person, however, had not been the aim of Christina Rossetti. The intentional and repeated use of "remember" could be recognized to contrast the key theme of the poem - "forget".
The positive way of treating fatality is also supported by "Don't dread death" by Aleksandr Blok. Aleksandr Blok was born within an intellectual and educated family. "Don't fear death", when compared with "Funeral Blues", were simpler and straightforward. Aleksandr Blok used commanding phrases at the start "Don't fear death in earthly vacations. Don't fear enemies or friends. " to appeal to the readers' attention. The words described on earth after loss of life in the poem were positive. Aleksandr Blok, for example, used "a dawn's favour" to spell it out the life after fatality, as contrasted with "times of poverty and strife" as some individuals might think the life span after loss of life would be. Inside the eyes of Aleksandr Blok, the earth after fatality is one with "one common regulation, one will of the Eternal Reign". It appears that such world is disciplined and beautiful, but at the same time, Aleksandr Blok provided places for the readers to imagine how the world would be. Weighed against other poems regarding loss of life in this review, we're able to actually feel the difference of Aleksandr Blok on the problem of fatality. The word "Don't fear foes or friends" revealed that death should not be afraid by anybody. It could be recognized by other poets' views. In terms of dialect devices, a number of devices have been used. For instance, assonance has been found in the poem to add more sound files to the poem, such as "a slave of life" and "poverty and strife", "the Eternal Reign" and "everlasting dangerous pain".
Some poets, like Alice Walker and Judy Burnette, have natural views towards fatality. In "Poem at Thirty-Nine", Alice Walker used her own personal experience to spell it out how her life was following the loss of life of her daddy. At the age of thirty-nine, Alice Walker started to recognize that she was actually getting the same living style as her father's. Despite the fact that she's already acquired her own life, she, as repeated in the poem, missed her dad a great deal. By researching the background of Alice Walker, it was discovered that Alice Walker was developed in a caring household. Compared to her dad, Alice Walker actually experienced a closer romance with her mother. However, as shown in the poem, after some time of the loss of life of her daddy, she began to recognize that her father in fact got an influential role in her life. In the poem, Alice Walker used explicit way showing her sense in the poem by telling the readers straight "COULD miss my father". These direct but lovely had been repeated double in the poem. A number of language devices and effects could be discovered in the poem, such as alliteration and rhyme.
"Dad" by Judy Burnette has likewise described the thoughts of a little girl towards her father. "Dad" was the poem written by Judy Burnette responding to her dad. As noted by Judy Burnette, the poem was written to show how she skipped her father after his fatality. The daddy of Judy Burnette died all of a sudden with a coronary attack when she was 22. Throughout the poem, Judy Burnette, just like Alice Walker in "Poem at Thirty Nine", used a direct way expressing her sense and recollection towards her father. "Years may come and go however your memory will never be erased. " This, although contrary to Christina Rossetti's "Remember", has expressly proved how important her daddy was when Judy Burnette had written the poem. Within the poem, Judy Burnette said "When my life was consumed in you // in your love, and in your look. " The life span appears to be happy and without problems. Maybe it's contrasted with enough time after his after, in which Judy Burnette felt distressed for having no one to turn to for troubles took place in her life. Sound effects are also found in the poem, such as "whenever I speak your name" and "things have never been the same". Judy Burnette deliberately used the personalized word "consumed" to describe her life before the fatality of her father.
We all have to handle death. But how exactly we view and feel about loss of life could be so different.
After reading these poems, it activated me to take into account death. I've struggled to believe what the life would be after fatality - whether it's like a heaven as explained in "Don't dread death", or it would be like a hell? That was something we could imagine. But it appeared that poets with the opinion of Christianity or Catholic appear to have more positive views for the places we go after death. I believe it is most likely because of the bible, which mentioned that we could live with God so long as we imagine.
May be because I am still young, I am neutral towards faith and I believe in research and genetics. At the present moment when I am still alive, I concur with the views of Aleksandr Blok and Christina Rossetti that people should enjoy what our present life is. Despite the fact that if our friends or family members are died, we have to still continue our life gladly. Furthermore, from "Dad" and "Poem at Thirty-Nine", I've learnt that treasuring what we have is even more important. To avoid any regret to myself following the loss of life of my parents, I should live happily and to praise my parents as much as i can before 1 day I would not have this opportunity.