In the play Romeo and Juliet, Shakespeare has generated several memorable individuals, apart from the witty, funny, and theatrical identity of all time Mercutio. Mercutio is neither Capulet nor Montague, but is portrayed as a very close friend to Romeo. Yet Mercutio and Romeo both very dissimilar views on love and on life in general. This is evidently conveyed through Mercutios witty wordplay and terms within the play.
Primarily the prologue in Romeo and Juliet takes on an important role in supplying home elevators were the play is set and what it is about. Shakespeare begins with the most renowned collection in literature "two households" emphasize the theme family, Montague's and Capulet's "both likewise in dignity" yet consists of another theme electricity. The prologue also introduces fatalism to the audience as the word "star-cross`d lovers" suggests "stars" determining destiny and the words "cross`d buffs" foreshadow the death of the lovers. The juxtaposition of antithetical ideas in the prologue creates the result of anticipation and suspense, Shakespeare uses antithesis such as "Death", "love" and "life" to summarise the key themes and also to foretell and intensify a tragedy will need place.
Mercutio can signify a number of comparisons and contrasts to other people through his quick wit and optimistic attitude. In Take action 1 World1 the themes or templates hate and discord are extremely indicated through the people Benvolio and Tybalt. The character Tybalt is seen as very vulgar and hostile since he decides to emphasise on what "hate" and "hell", he then moves onto say I "hate", "all Montague's" advises he is only interested in struggling with the Montague's and everything he seems to say is negative and packed with annoyance and disgust. In addition Benvolio, one of Mercutios close friends is seen as the calmness machine, unlike Tybalt he's determined to stop the fighting and "keep carefully the serenity ". While Benvolio is relaxed, smart and reliable, Mercutio is commonly sarcastic that follows his feelings, but continues to be kept in mind as this distinctive dramatic character.
What's more, Prince Escalus the speech of authority shows up onto world and demands for the combat to stop. Shakespeare uses antithesis in the Prince's conversation "you men, you beasts" showing his effect, furthermore the prince can be seen as a identity with such feeling as he starts to work with violent imagery and says "quench the fireplace" of your evil hate and chuck your "Mistemper`d weapons" suggests he is a mediator, like Benvolio and would like to start to see the feuds in Verona to stop. The juxtaposition of antithetical ideas in the estimate "Disturb our avenues again" he proclaims "your lives shall pay the forfeit of the tranquility" foreshadows the loss of life of Mercutio and Tybalt.
Later on in the Arena, the themes friendship, commitment and love are expressed through Romeos unrequited love for Rosaline. When describing her physical beauty to Benvolio, Romeo's information are dreamy yet depressing. Shakespeare displays courtly love through the type Romeo and his infatuation for Rosaline when he commences to pine in despair "out of her favour" and then uses oxymoron's "O brawling love! O caring hate!" to create a dramatic impact by swiftly turning two major themes alongside one another "love" and "hatred", also creates dilemma and gives the feeling that he is self utilized and immature. Through the entire scene Benvolio calls Romeo "coz" and this shows their extremely strong marriage also Benvolio is seen as a dedicated and considerate friend when he consistently questions " tell me in sadness ", the word "sadness" highlights the strong bond and respect between your two friends. Alternatively, Shakespeare presents the type of Romeo as over exaggerated and melancholy when Romeo uses hyperbolic vocabulary to mention his obsession with Rosaline he compares himself to a "sick man in sadness", advises his conceited mentality.
In addition another very close yet different good friend to Romeo is a character called Mercutio. Shakespeare chooses to include this humorous and spontaneous character after the audience has seen Romeo and his lovesickness, to create a dramatic result by showing their opposing views on love. Mercutio, Benvolio and Romeo all sneak in to the house of Capulet's wishing that Romeo will enliven as Mercutio instructs Romeo he "must party" shows their close and friendly a friendly relationship. Romeo can be seen as depressing when he by using a metaphor on the word "heart and soul" while talking about Mercutios "nimble soles" discussing his own "soul" being trapped to the "earth". Then Romeo expresses his misunderstandings by saying "is love a tender thing" he runs onto create bestial imagery by describing love as " rude", "boisterous" and "pricks such as a thorn" offers us his mixture yet positive views on love. Nevertheless Mercutios attitude towards love, compare as he advises Romeo to retaliate back to love by "prick love for pricking" and "beat love down" shows he has a poor introduction on love. What "prick" and "beat" also show how frustrated he's and that he doesn't want his infatuation to ruin their a friendly relationship, we start to visit a diverse aspect that conveys he's kind and caring.
Mercutio starts to mock Romeo with witty wordplay and sceptics when Romeo discusses having had a "wish"; Mercutio offers a nonsensical conversation on "Queen Mab" "being" "the fairies " "midwife" who trips a "chariot" manufactured from "an empty hazelnut" shows that all needs and fantasies are corruptive and futile. Shakespeare juxtaposes certain words together with antithetical ideas, giving a representation on Mercutio by the use of vivid images of opposing "lawyers " and "enthusiasts", "troops" and "fairies" also identifies some opposing styles in the play such as "love and hatred". In addition the misogynistic view in the speech about "Queen Mab" riding over "soldier's neck" and violent vibrant imagery of "cutting overseas throats" foreshadows death and fighting by giving a negative vision that the whole concept of "dreamers" and being in "love" is dangerous as well as substantive. Through the "Queen Mab" conversation Mercutio degrades women, yet captivates the audience in conversing "nonsense" creates humour.
In Take action 2 scene1, the theme of real love is conveyed when Romeo has seen beloved Juliet he climbs onto the Capulet's wall, whilst Mercutio and Benvolio call out for Romeo, Mercutio mocks Romeos infatuation for Rosaline shouting
"Madman ", "lover" and refers to "Venus" the roman goddess of love. Then Mercutio uses the theme of petrachan want to summarize Rosaline's "high forehead" and "scarlet lip" to tease Romeo. Shakespeare uses dramatic irony even as we as readers know it's not Rosaline, Romeo loves. However Benvolio has a lot of matter for Romeo as he says if he will "hear" it'll "anger him"; Mercutio on the other palm thinks it "cannot anger him" signifies Mercutio is a much better friend as he says the reality to advantage Romeo.
Shakespeare uses satirical irony when expressing the theme of loyalty between Mercutio and Romeo. He explains "Rosaline" as a "pale
Hard-hearted wench" and then uses imagery to describe Romeo as "deceased" and "stabbed", but anticipated to love not hatred creates another dramatic effect of the role of Mercutio. Mercutios connection with Romeo grows up strong as he plainly suggests Romeo isn't strong enough to "come across Tybalt" at a "duel" he then begins to mock Tybalts "fashionable fighting with each other " by contacting him the "prince of pet cats" says us he's brave to protect Romeo. Mercutio also uses rhetorical language when insulting Romeo on "groaning for love?" conveys his cynical belief on love. Shakepeare has also displayed the character of Mercutio as both outrageous and amazing when he mocks the nurse's weight, contrasting it to "a sail!" and message or calls her "ancient" instructs us Shakespeare did this to set-up wittiness and to drive the entire play ahead. Plus Mercutio and Romeos speedy interchange, suggests Romeo is quick to comprehend Mercutios witty wordplay.
Furthermore the type Benvolio is viewed as blood vessels and patient, when he will try to stop Mercutio to "scape a brawl" Mercutio starts to worsen Benvolio in saying he will "quarrel with a guy for cracking nuts" suggests Benvolio isn't quick to grasp Mercutios brilliant wordplay. Mercutio also likes creating a field when Benvolio tells Tybalt and Mercutio to " reason coldly " "of" their "grievances", Mercutio seems to not "care and attention" in saying " let them gaze", his own arrogance is leading to the tragedy of his death. When Tybalt insists in fighting with Romeo, Shakespeare uses dramatic irony in portraying the type of Romeo to be an innocent, love puppy who discusses caring the "Capulet's" "name" "as" his "own" foreshadows the partnership of Romeo and Juliet.
Ultimately the arena changes from bawdy humor to dramatic tragedy when the role of the comic foil in the play comes to an end. Mercutio runs on the metaphor and visible imagery when provoking Tybalt in comparing him to a "good king of pet cats" that has "Nine lives" signifies his commitment towards Romeo. Shakespeare dramatises Mercutios death as it hides his thoughts over humour creating theatrical tension, Mercutio uses powerful language in cursing both feuding young families "a plague" "on" "both "of your "houses" then moves onto using repetition whilst being sarcastic "Ay, ay, a damage" signifies his strong and courageous personality all to protect Romeos Honour. By killing of the type of Mercutio, the type of Romeo changes from an enchanting archetypal petrachan enthusiast to a villian who kills Tybalt.
